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Category: Just for Fun

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A picture of the city of chicago, right outside the chicago theater

Welcome to the Halls of Patent Medicine. Back before the regulation of food and drugs in the United States, almost anyone could make a concoction, claim it was medicine and sell it over the counter without a doctor’s prescription (1). This led to predictable results, with all sorts of items being sold for their “medicinal properties.” The history of patent medicine is a treasure trove of outrageous marketing, dubious deals and suspicious substances. So with that in mind, let’s take a look at something from my hometown of Chicago. 

Chicago’s finest sewer water (2). Pencil Shavings and Heartbreak (3). Soapy Dirty Dishwater (3). All of these descriptors have been applied to Jeppson’s Malört, a hard liquor created in Chicago back in the 1920’s. Known for its distinctive taste, the drink is considered a staple of Chicago. And like some other beverages on the market, Jeppson’s Malört began as a medicine, not as an alcoholic beverage.

Well, at least its inventor claimed it was a medicine (4). During Prohibition, a Swedish immigrant by the name of Carl Jeppson created the beverage (wine). He began selling it to those interested in buying, and given the lack of legally available liquor, the beverage had interested buyers. According to legend, the terrible taste was part of the reason Jeppson was able to sell it; when questioned by the cops, Jeppson told them to try it, and after one shot, they’d agree that nobody would drink something so terrible for fun (4). 

But what was Jeppson’s supposed to treat anyway? Stomach worms and parasites, apparently (3). While it likely didn’t have any impact on hypothetical parasites, that wouldn’t cause any problems given lack of regulation of drugs at the time. While the drink came out after the Golden Era of Patent (an era where patent medicines boomed in sales), it would slip through before the passage of the Food Drug and Cosmetic Act, allowing Jeppson to sell his concoction despite his dubious claims (1). 

After Prohibition ended, Jeppson sold his formula. Later, it would be popularized in the late 2000’s by a local bartender, and become the iconic drink of Chicagoland. While you can purchase it outside of the city these days, it might be best to hold off unless you want to try the taste of “pencil shavings and heartbreak” for yourself. 

1. Smithsonian. Balm of America: Patent Medicine Collection. Smithsonian Institution. Accessed July 25, 2024. https://www.si.edu/spotlight/balm-of-america-patent-medicine-collection/history

2. Schnitzler N. Check Out This Documentary On Malört, The Spirit That’s Proud To Be Undrinkable. Food Republic. Published April 21, 2015. Accessed July 25, 2024. https://www.foodrepublic.com/2015/04/21/check-oDow C. Jeppson’s Malört - A Brief Education. Real Food Traveler. Published November 12, 2019. Accessed July 25, 2024. https://www.realfoodtraveler.com/jeppsons-malort-a-brief-educationut-this-documentary-on-malort-the-spirit-thats-proud-to-be-undrinkable/

3. Dow C. Jeppson’s Malört - A Brief Education. Real Food Traveler. Published November 12, 2019. Accessed July 25, 2024. https://www.realfoodtraveler.com/jeppsons-malort-a-brief-education/

4 John W. Chicago’s Malört Liqueur Is Both Off-Putting and Excellent. Food & Wine. Accessed July 25, 2024. https://www.foodandwine.com/travel/history-of-malort-chicago-novelty-liquor

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A hand holds out a remote towards a tv

The world of medicine has always drawn fascination from outsiders. Maybe this is why so many television shows, books and movies revolve around doctors, nurses, and other medical settings. As part of a new series on the blog, we here at Himmelfarb are going to dive into personal favorite pieces of media centered around medicine. While some of these titles may be familiar, hopefully there will be one or two among the bunch for one to enjoy as a treat after big exams. 

To start off the series, we’ll begin with my recommendation: 

House MD (2004-2012)

I’ve always loved a good mystery. As a teenager, I poured over classic Sherlock Holmes stories, fascinated by the solutions that I could never see coming. So it shouldn’t be a surprise that when I happened to catch an episode of House MD that I was instantly hooked. 

House MD is a mystery show packaged inside a medical show. Based on the character Sherlock Holmes (there’s a reason House’s best friend is named “Wilson”) and a real life doctor (1), the show centers on the aforementioned Doctor House, who is an expert at solving difficult medical mysteries. House is often cynical, unfriendly, and rude, but he’s engaging to watch despite his personality flaws. Each episode, House and his team aim to solve a medical mystery centered around a patient of the week. Like his namesake, House is unconventional and while his habit of breaking and entering is inadvisable in the real world, it does make for exciting television. The side characters of the show, such as Wilson, Cuddy, House’s team and later a cast of interns, provide plenty of other perspectives to follow that contrast with House’s own cynical worldview. When the show is at its best, the mystery of the week is compelling and ties into something going on in House’s own life. 

While parts of the show have aged poorly in the years since it’s premiered, the base formula of a flawed protagonist and a mystery only he can solve still holds up. It’s absolutely worth a watch if one wants to take a dive into one of the most popular shows of the 2000s. Just don’t take House’s bedside manner as a learning example. 

1.Gonzalez S. There’s A Doctor Behind ‘House’: Internist Lisa Sanders. YaleNews. Published October 30, 2009. Accessed July 22, 2024. https://news.yale.edu/2009/10/30/theres-doctor-behind-house-internist-lisa-sanders
2. House M.D. Heel & Toe Films, Shore Z Productions, Bad Hat Harry Productions; 2004.

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What is plagiarism anyway? In today's blog post, here's a comic about what plagiarism is, and how to avoid it.

Narration: Sometimes I think people view plagiarism like an unseen horror movie monster: they know it's bad and should be avoided, but aren’t clear on the specifics. Image: There is a red question mark centered in the center of the page. Around it, is text that states as follows:”Plagiarism is: stealing? Not using quotes? Bad. It’s Def Bad!”
Panel 2: Narration: This is Understandable: What does stealing an idea even look like? Image: A man with pale skin wearing a black and white striped shirt, a black domino mask, and a black hat, is running away. He is dressed to look like an classic bank robber. He is holding under his arm an empty thought bubble. Robber Speech Bubble: “You’ll never catch me copyright lawyers!” Panel 3: Narration: Webster’s defines “Plagiarize” as “to steal and pass off (the ideas or works of another) as one’s own” “without crediting the source” Image: A larger man with brown skin, short hair and a tank top points up at the narration bar. Man’s Speech Bubble: Oh hey! A citation!
Narration: Sounds simple enough. Credit others for their work. Image: A man with dark brown skin and dreads, wearing a long sleeved shirt, gestures to a fat woman with curly gray hair, a long sleeved shirt, a skirt and some jewelry. She looks confused, scratching the back of her head. Gesturing Man speech bubble: Behold! My source! Confused women speech bubble: This seems excessive…
Panel 5: Narration: But like many things in life, the devil is in the details. Image: A horned demon, which looks like a mix of a goat, and a dragon with three eyes, clawed hands, sharp teeth and a pointed tail spreads their arms in delight. They hold a red pitchfork and wear a white suit with a yellow tie. Behind them is fire.
Panel 6: Narration: It can be shockingly easy to plagiarize unintentionally. Image: A woman with light brown skin and brown/blonde hair in a ponytail gestures to a pile of empty thought bubbles. She wears a green blouse and blue jeans and looks defensive and confused. Standing across from her is an older bald man with dark brown skin, simple glasses, and a mustache. He is wearing a suit with a yellow tie and belt. His hands are on his hips. Woman’s Speech bubble: I don’t know where these uncited sources came from! Older man’s Speech bubble: That’s what they all say!
Panel 7: Image: A picture of Rebecca, a librarian, with pale skin, dark brown curly hair, and glasses speaks to the viewer. Speech Bubble: I think the best way to explain what is and isn’t plagiarism is to provide examples.
Panel 1: Narration: So let’s start with some common examples of plagiarism: Image: Rebecca chases after a humanoid cat, who is dressed as a cat burglar. The cat is gray, wearing a little black hat, with light gray fur that darkens like a cat burglar mask over their eyes. The cat is holding a speech bubble where the text is obscured by their arm, and the end of the speech bubble looks ripped. One of Rebecca’s speech bubbles includes only the tail, implying the cat stole her original speech bubble and is running off with it. The cat is labeled as “The Copycat Plagiarist” Rebecca speech bubble: My speech bubble! Cat speech bubble: Mine now!
Panel 2: Image: Rebecca is in the background, clearly irate, her hands stretched out. Her speech bubble is once again missing with only the tail remaining. In the foreground, the cat is speaking to the viewer. He holds a hammer, and his own speech bubble features two wooden boards that connect the tail and the bubble itself. Narration: Most folks know that copying someone’s words directly is plagiarism. Cat Speech Bubble: For example, copying and pasting text directly from Wikipedia. Panel 3: Narration: But it’s also plagiarism to take someone’s words and just change a few words or change the order (2). Image: Rebecca and the cat are facing each other. Rebecca looks irate and the cat is looking up, innocently. Their respective speech bubbles have highlighted text showing where the cat is taking text from Rebecca. Rebecca’s Speech Bubble 1: If it’s someone else’s idea or thoughts, it still needs a citation.” Cat’s Speech bubble 2: “It still needs a citation if it’s someone else’s concept or outlook.”
Panel 4: Narration: The best way to avoid both these issues is a proper citation. But what does a proper citation look like? Image: A man with brown skin, short brown hair, a blue tank top, and 5 o'clock shadow, shrugs in the middle of the panel, surrounded by question marks.
Panel 5: Narration: First, when using information from a source, you should cite it. These often are in the reference section. Image: A piece of paper that says “References” at the top of the page is shown, with a warm glow behind it, showing its importance. Panel 6: Narration: But the reference section isn’t the only step: when we paraphrase, quote, refer to or use ideas from a specific piece of work, we need to show readers which reference we’re using. That’s where in-text citations come in. Images: In the background, the cat looks bored, staring into the distance. In front of him, Rebecca holds out her hand to cut him off and yells. Cat speech bubble: “Lame” Rebecca Speech Bubble: “Quiet You!”
Panel 7: Narration: (There are a variety of citation styles but they all have the same purpose. Fields tend to have a citation style they prefer.) Image: A fashion runway is shown, with a red curtain in the background and stereo speakers. On the runway, the letters MLA are shown wearing clothing like a crown, jeans, shoes and a scarf.
Panel 8: Narration: In-text citations help us match a piece of information to its source. Image: A woman with light brown skin, and red hair, wears a detective outfit including a deerstalker. Behind her is a whiteboard with red string connecting various post-it notes, centered around the text “it’s connected”
Panel 9: Narration: Think of in-text citations like a map that can guide a reader to the original source. It allows folks to retrace the author’s steps. Image: A picture of a map is shown, with four land masses, a boat, and a giant octopus tentacle. There is a dotted line that connects a subscript 1 to a big red X.
Panel 10: Image: Rebecca speaks to the audience. Rebecca Speech Bubble: So how do we use in-text citations? Whenever talking about or using a specific source, add an in-text citation
Panel 11: Narration: When using a direct quote, also include quotation marks so readers know what is another person’s work and what isn’t (2). Image: A split panel is shown. On the left, is the cat, speaking to the audience, with the label of “wrong” next to him. On the right, Rebecca is shown speaking to the audience, with the label of “right” next to her. Cat speech bubble: “They said it is critical to use proper citations.” Rebecca speech bubble: “They said “It is critical to use proper citations (15).”
Panel 1: Narration: In-text citations also should be used for images, especially graphs or charts. Image 1: Three different kinds of graphs are shown: a pie chart, a line graph and a bar graph. There is also a picture of a skull with text under it that states “diagrams too!”
Panel 2: Image: Rebecca and the Cat are standing behind a wall. The cat is leaning on the wall looking frustrated, one arm raised up. To his right, Rebecca responds to him. Cat speech bubble: So I have to cite everything!? Who am I supposed to cite for basic stuff like “water is wet and I don’t like it!” Rebecca speech bubble: No, of course not. For two reasons! Panel 3: Narration: The first part “water is wet” is what we would consider common knowledge (4). Common knowledge includes facts that most people would know without looking them up. Image: In the narration, there is a little pop out bubble of Rebecca’s face to denote she is narrating. In the image, the cat, no longer humanoid, looks disgruntled as it sits under a rain cloud.
Panel 4: Narration: So a fact like “diseases can be caused by germs” doesn’t need a citation to ward off the ghost of Louis Pasteur. Image: A person with dark skin and long hair sits at a desk, looking at a computer. An exclamation mark is above their head. Above them, the ghost of Louis Pasteur floats, with his arms crossed. Ghost speech bubble: “Excuse me?!” Panel 5: Narration: The second reason is “I don’t like it” is your personal opinion you don’t need to cite yourself.* Image: Rebecca is shown trying to shove a closet door shut. Rebecca Speech Bubble: “However if you’re using something you previously published, that’s another story (and another comic).”
Panel 6: Image: The cat with his arms outstretched, yells at the audience. Cat speech Bubble 1: How am I supposed to remember all this?
Panel 7: Narration: By asking for help!There are guides for multiple citation styles in the library and online. Your librarian can also help with citation questions. Image: Rebecca speaks to the audience, gesturing to the list of floating words. The floating words are “zotero” “refworks” and “endnote” Rebecca Speech Bubble: “There are even programs made specifically to help manage citations.”
Panel 7: Narration: By asking for help!There are guides for multiple citation styles in the library and online. Your librarian can also help with citation questions. Image: Rebecca speaks to the audience, gesturing to the list of floating words. The floating words are “zotero” “refworks” and “endnote” Rebecca Speech Bubble: “There are even programs made specifically to help manage citations.” Panel 8: Narration: Just remember this tip. If you’re not sure, cite it! It’s best to give more credit than needed than to leave someone’s hard work unacknowledged. Image: Rebecca and the cat stand next to each other, glaring at one another. Rebecca holds a squirt gun which she is spraying the cat with. The cat is reaching off panel into the citations panel as if to steal one of the citations. Rebecca Speech Bubble: “Bad kitty!” Cat Speech Bubble: “Come on! I almost had it!”

Works Cited:

  1. “Definition of PLAGIARIZE.” Merriam-Webster. Published June 20, 2024. Accessed June 26, 2024. https://www.merriam-webster.com/dictionary/plagiarize
  2. Harvard College Writing Program, “What Constitutes Plagiarism?” Harvard University. Accessed June 7, 2024. https://usingsources.fas.harvard.edu/what-constitutes-plagiarism-0
  3. University of Washington Health Sciences “Library AMA Style Guide: In-Text Citations.” University of Washington Health Science Library, University of Washington. Published March 1, 2024. Accessed June 26, 2024. https://guides.lib.uw.edu/hsl/ama/intext
  4. Purdue University, “Common Knowledge & Attribution - Purdue OWL®.” Purdue University. Accessed June 26, 2024. https://owl.purdue.edu/owl/avoiding_plagiarism/common-knowledge_attribution.html

Himmelfarb librarians share their 2024 summer reading recommendations!
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A person reading at the beach.
Photo by Dan Dumitriu on Unsplash

Summer’s here, and with its lengthier vacations and (potentially) lighter workloads, it’s the perfect time to broaden your horizons and read. To help you navigate the almost endless sea of options, we’ve queried the Himmelfarb staff for their summer reading recommendations. Whether you’re at a lake house or a beach, an air-conditioned metro or your living room, you can’t go wrong with one of these summer reads. 

 

Coming of Age and Plot Driven Dramas

Summer is the time of heat and action, the season of youth and change, but it can also be languid, a time to lie around and dream. If you want moving entertainment or a slice of life that makes you reflect on who you are and who you want to be, one of these recommendations is for you. 

Ruth Bueter, Himmelfarb’s Associate Director, recommends: 

Title: Turtles All the Way Down

Author: John Green
Genre: Fiction, Young Adult
Reason for Recommendation:  “In addition to being a fantastic and honest portrayal of anxiety and OCD, this one is just a fun read. It was recently made into a film (currently streaming on HBO Max).”

Where to Borrow: Consortium Loan

 

Deborah Wassertzug, Reference and Instructional Librarian, recommends: 

Titles:  Mary Jane, The Summer of Naked Swim Parties, Drinking Closer to Home, The Wonder Bread Summer, and The Trouble with Lexie.

Author: Jessica Anya Blau 

Where to Borrow: Mary Jane - DC Public Library [Physial Book, Ebook, and Audio Book], The Summer of Naked Swim Parties - Consortium Loan, Drinking Closer to Home - Consortium Loan

Bonus: watch Blau’s interview with a librarian about her latest book, Mary Jane

 

Mysteries and Ghosts 

But summer isn’t all sunshine and snappy plots. Warm nights are the perfect time for chills: fictional or non-fictional. If you’re interested in a ghost story, consider one of these recommendations and remember that no matter how dark the summer night, the sun is never far from the horizon. 

Ian Roberts, Acquisitions & Resource Sharing Librarian, recommends:

Title: Ghostland: An American History in Haunted Places

Author: Colin Dickey

Genre: Non-Fiction/Ghosts and folklore/Sociology

Reason for Recommendation:  “A sometimes fun, sometimes weighty examination of ghost stories, the places they happen (houses, burial sites, hospitals, prisons), and what they say about us and our history.” 

Where to Borrow: Consortium Loan

Laura Abate, Himmelfarb Director, recommends: 

Title: The Book of Cold Cases

Author: Simone St. James

Genre: Mystery

Reason for Recommendation:  “Fast-paced mystery thriller that includes multiple mysteries and timelines plus a terrifically scary haunted house.”

Where to Borrow: DC Public Library [Physical, Ebook, and Audio book]

 

Literary:

If you seek linguistic fireworks, story-telling prowess, and big themes, then in the season of blue skies and bigger horizons, these might be the books for you. 

Randy Plym, Evening Circulation Supervisor, recommends: 

Title: The Moviegoer

Author: Walker Percy
Genre: Fiction
Reason for Recommendation:  Existential but never dour, The Moviegoer’s off-beat view of the world captures a playful search for meaning against a background of ennui. At least for me, it succeeds in coining a philosophical vocabulary for everyday experience. 

Where to Borrow: Consortium Loan

 

Ruth Bueter, Himmelfarb’s Associate Director, recommends: 

Title: Weight: The Myth of Atlas and Heracles 

Author: Jeanette Winterson
Genre: Fiction
Reason for Recommendation:  “In this retelling of the myth of Atlas and Heracles, Winterson tackles questions of choice, destiny, and fate. It's a brilliant reimagination of these two classic tales with a heartwarming twist.”

Where to Borrow: Interlibrary Loan

 

History/Biography

Lastly, between semesters can be a great time to step back from your normal field of study and explore ideas: where society has been and how it’s been shaped. 

Jolinda Thompson, Systems Librarian, recommends:

Title: Gods of the Upper Air: How a Renegade Group of Anthropologists Reinvented Race, Sex and Gender in the 20th Century 

Author: Charles King

Genre: Non-fiction/Biography

Reason for Recommendation: “In the early 20th century, it was commonly believed that race and gender determined an individual’s intelligence, ability, and temperament. The pseudoscience that emerged to back these beliefs led to the quota-based restrictions of the 1924 Immigration Act and the abuse and horrors of the eugenics movement. Franz Boas would challenge these theories through fieldwork and research, founding the field of cultural anthropology, and inspiring a group of revolutionary anthropologists at Columbia University and Barnard College in the 1920s and 30s, including Margaret Mead, Ruth Benedict, and Zora Neale-Hurston. Their work ushered in new understandings about gender, sexual expression, diverse cultures, and values systems. The personal stories of these groundbreaking researchers makes this an entertaining as well as enlightening read.”

Where to Borrow: Consortium Loan

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Sometimes researching can be more complicated than it appears. Below, we take a look at predatory publishing, what it is, and how to avoid it.

A title card that says predatory publishing
Narration: A label next in the bottom left corner denotes the speaker as “Rebecca, Librarian, Amature Cartoonist.”
Pp Page 1
Rebecca in the boat, looks down concerned at the sea, where multiple shark fins can be seen poking through the waves. The speech bubble states “But there metaphorical waters can prove treacherous. And unlike real sharks, these threats to scientific knowledge provide little benefit to the scholarly ecosystem”
Narration: “Introducing Predatory Publishing” is at the top of the page. At the bottom, there is a label for the shark, which states “Ponzi, the Shark” Image: A shark wearing a top hat and bow tie waves a fin, looking smug.
Panel 4 Narration: “But what are predatory publishers?” Image: Rebecca looking stern, looks forward with a parrot on her shoulder. “Predatory publishers are journals that only exist to make money.” panel 5 Image: A white man with blonde hair and old fashion clothes, holding onto ship wreckage like Jack in Titanic, looks at a mermaid with brown skin, black hair and a purple tail. In the background there is other evidence of a ship wreck. The man says “What do you mean “make money?” to which the mermaid replies “You didn’t know?”
Pp Page 1
Image: Now under the sea, the mermaid from earlier gestures to a treasure chest full of gold. Other sea life float in the background. She says “Scientific publishing is a huge business. One publisher, had a profit margin of almost 40% in 2023 (1). In contrast, Apple’s was 44% (2).
Pp Page 1
Panel 1 Narration: To best understand how publishers make so much money, one must learn how the publishing process works. Image: The parrot from earlier says “Polly want an explanation!” Panel 2 Narration: “Traditional publishing looks something like this. Scientists submit to journals who publish it to the world (ideally). And money flows like this: scientists submit to journals for free (or a small fee) and publishers pay to publish the work to the world, who pay higher costs in return for access. Publishers get work for free that is edited for free and then charge individuals, libraries, ect for access. Image: A flow chart of a beaker, a journal and the Earth is shown demonstrating the relationship described in the narration.
Narration: This can lead to science being behind a paywall, especially for scientists, schools and others who can’t afford to pay. Image: Rebecca and Polly the parrot stand on opposite sides of a poster with a picture of a journal on it. The poster says “$$$$ science.” Rebecca, talking to Polly, says “I can’t afford this.” Polly, who is resting on a bird perch, says “Polly can’t even afford a cracker…”
Panel 1 Narration: SO a new model was born: open access. It looks like the traditional model but money flows like this (authors pay to journals to publish their work and journals pay to publish to the world). The idea is the author pays a fee to ensure wider access. Image: A flow chart of a beaker, a journal and the Earth is shown demonstrating the relationship described in the narration. Panel 2: Narration: Ideally, the rest works the same. Scientists submit their best works, it’s peer reviewed and if it passes muster, it’s published like traditional publishing. Image: We see the Earth in space with an Astronaut floating in the foreground. The astronaut says “I even get access out here!” There is also a UFO floating over the Earth as a gag.
Narration: Except…what if instead of being discerning about what you publish, you just accept everything? After all, the more articles you accept, the more money you make in fees.
Pp 2
Narration: This is the business model of predatory publishers: accept anything and make a profit from the fees. Some tactics of predatory publishers include: Image: A wanted poster of Ponzi the shark is affixed to a brick wall. On the poster, Ponzi looks alarmed. The text of the poster says “wanted: fraud.”
Narration: Pretending to be respected journals by spoofing the name of a more reputable publication. Image: A bald Black scientist wearing glasses looks concerned at Ponzi, who looks the same except for a drawn on fake mustache. Both of them stand next to posters. The scientist’s poster says “submit to Nature.” Ponzi’s poster states “submit to Natures.”
Panel 1 Narration: Or they’ll ue the name of a defunct journal that has a better reputation. Image: Ponzi the shark is seen floating underwater over a human skeleton. There are two labels affixed to each. The skeleton is labeled as “human sciences.” Ponzi is labeled as “human sciences 2.0” Panel 2: Narration: They might offer services like peer review with no intention of doing it, or claim rapid turn around times. Image: A white and yellow tropical fish stares at a piece of paper on a fish hook. The paper says “pls review in 24 hours.” Question marks are shown over the fish’s head.
Narration: The reason this is a huge issue is partially one of quality. Predatory publishers flood scientific literature with B.S that can be dangerous.
Pp 2
Narration: The other issue impacts scientists: those tricked into publishing in these journals can see a hit to their reputations. Image: A line up of three figures is shown with a text box underneath. The first two figures are literal clowns in full makeup while the third is a scientist with brown skin and brown hair looking horrified in their direction. The text underneath the three states” This issue: Balloon animals found to boost happiness page 8. The speed of trick flowers page 32. New cells found in clinical trials page 41.
Panel 1: Image: The shipwrecked sailor holding onto wood planks from page 1 floats in the ocean. He asks “So what do we do about this? Give up on open access?” Panel 2: Image: Rebecca is seen balancing on the mast of the ship with the sail behind her. He says “of course not! Open science is important. We just need to be careful.”
Narration: Look for red flags. Things like: Image: A red flag is seen in the sky. On the red flag there is a yellow circle which showcases Ponzi the shark.
Panel 1 Narration: Editors who have frank credentials, lack expertise that matches the journal or don’t exist at all. Image: A volleyball with a face painted on it in red (much like Wilson in Castaway) rests on a beach. Below it, a text box states: “Editor in Chief: Wilson V. Ball” Panel 2: Narration: Having a weird street address for a business or no about page. Image: An underwater cave is shown, There is a wooden sign in front of the cave that says “home of Natures.”
Panel 1 Narration: You’re naked to submit work entirely unsolicited. Image: An anglerfish with a letter in the place of its light antenna, floats in the deep sea. With sharp teeth it says “You got mail.” Panel 2: Narration: Promising rapid publication. Image: A stopwatch on a chain is shown with the intervals of 15, 30 and 45 on it. The top interval says “publish.”
Panel 1 Narration: Unsure about a publisher? You can ask a librarian or try using Cabells, a director of publishing opportunities. It identifies predatory publishers. We offer access to Cabells through Himmelfarb. Image: The interface of Cabells is shown where journals are marked as predatory. Panel 2 Narration: Good luck! Image: Rebecca is seen in the bird's nest, giving a salute to the audience. The ocean and sun can be seen behind her,
A list of sources\ Yup K. How Scientific Publishers’ Extreme Fees Put Profit Over Progress. Published online May 31, 2023. Accessed May 6, 2024. https://www.thenation.com/article/society/neuroimage-elsevier-editorial-board-journal-profit/ Miglani J. Apple Sales And Profits Analysis For FY 2023 — Top 10 Insights. Forrester. Published November 21, 2023. Accessed May 6, 2024. https://www.forrester.com/blogs/apple-sales-and-profits-analysis-for-fy-2023-top-10-insights/ Bueter R. Research Guides: Predatory Publishing: Home. Himmelfarb Health Science Library. Accessed May 29, 2024. https://guides.himmelfarb.gwu.edu/PredatoryPublishing/Home

Sources:

  1. Yup K. How Scientific Publishers’ Extreme Fees Put Profit Over Progress. Published online May 31, 2023. Accessed May 6, 2024. https://www.thenation.com/article/society/neuroimage-elsevier-editorial-board-journal-profit/
  2. Miglani J. Apple Sales And Profits Analysis For FY 2023 — Top 10 Insights. Forrester. Published November 21, 2023. Accessed May 6, 2024. https://www.forrester.com/blogs/apple-sales-and-profits-analysis-for-fy-2023-top-10-insights/
  3. Bueter R. Research Guides: Predatory Publishing: Home. Himmelfarb Health Science Library. Accessed May 29, 2024. https://guides.himmelfarb.gwu.edu/PredatoryPublishing/Home

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If you haven’t yet seen the art show – you haven’t missed your chance! Stop by now through this Friday, May 10th to peruse the display of more than 40 unique items, OR, check out the digital submissions already archived online [fully digitization of physical items still upcoming]. 

Each piece has a story. To cap off the art show, we’ve curated a second collection of the artist’s in their own words. Enjoy! 

Rachel Brill's "Dinah in Yellow Robe" [Acrylic Painting]

An acrylic painting of a cat in the model of a Matisse painting, whimsically wearing a yellow robe.

Dinah in Yellow Robe is my take on Henri Matisse's work, in particular Yellow Odalisque, which I saw at the Philadelphia Museum of Art. I love his use of bright colors and a mix of patterns. The unwilling model for this piece is my cat, Dinah.

Rachel Brill, Staff, Himmelfarb

Kenneth Schappelle's "Delhi at Dusk" [Photograph]

A fog covered horizon nearly suffocates a setting sun.

The day before Christmas, we were on our way to New Delhi, traveling down a rural highway from Rishikesh, which sits at the foot of the Himalayas. Rishikesh was a breath of fresh air with its blue skies and the sparkling Ganges River pouring out of the mountains. The closer we got to New Delhi, though, the thicker the smog became. As we approached the outskirts and the sun began to set, you could barely see it through the thick sky. It was disturbing and beautiful all at once.

Kenneth Schappelle, Staff, School of Nursing

Aparna Nanduru’s “Peacock in Repose” [Mixed Media]

A mixed media portrayal of a peacock proudly perched on a blossoming branch.

Adding dimension came from adding multiple types of media into my art. This included using lead pencils, colored pencils, watercolor pencils, acrylic paint, and even white-out in the piece going from top to bottom. As a nature lover, I wanted to demonstrate the ability of these seemingly different art mediums coalescing together to represent diversity and coexistence seen in the environment around us.

Aparna Nanduru, Student, SMHS

Caitlan Davila’s “How to Outrun a Dinosaur” [Digital Artwork]

An illustration of the biological systems operating in the nervous system during crisis.

This drawing exists because I was being cheeky while working through two opposing systems (bronchoconstriction vs. bronchodilation). Why the dinosaurs? That’s the wrong question, my friend. The question is:  why NOT dinosaurs?! Learning ought to be fun; working in subjects we like can make a real difference in retention. 

Caitlan Davila, Student, SMHS

Ruth Bueter’s “Wingspan” [Photograph]

A turkey vultures poses perched with full wing-span at Chiricahua National Monument.

After finishing my Bachelor's Degree in Environmental Science and Parks and Recreation, I had an internship at Chiricahua National Monument in southeastern Arizona. It was an amazing experience! A couple of years later, I visited Chiricahua while driving to California. I went hiking on my favorite trail in the park one morning. As I turned a corner along the trail, I saw this Turkey Vulture stretching its wings on a rock outcropping. I was convinced the bird would fly away when it saw me, but it just stayed there watching me with its wings spread out. I managed to dig out my old first-generation digital point-and-shoot camera (with minimal zoom capacity) from my backpack and got some pictures. The bird and I stood there watching each other for 10 minutes. Eventually, I packed up my camera and continued on my hike. The Turkey Vulture was still there when I left. It is still one of the most amazing experiences I've ever had while hiking. And for it to have happened at Chiricahua, a place that has held a special place in my heart since my internship, made it even more memorable.

Ruth Bueter, Staff, Himmelfarb

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Hello all. For today’s blog post, we’re sharing a comic from one of our reference librarians, regarding quackery. Enjoy! 

Quackery: An Introduction to Fakes, Frauds, Forgeries and Other Falsehoods.
Image: A librarian, Rebecca, stands in the middle of the panel, one finger raised. She is a woman with pale skin, curly brown hair tied back in a ponytail, a pair of glasses, and she wears a purple short sleeved polo shirt. Narration: Quackery: A term that refers to the practices of fraudsters and conmen, often in the field of medicine. Rebecca, Dialogue: “And let me tell you, history has a lot of quacks!”
Image: A pop up is shown, with bright outlandish colors. The ad states “You Won! Miracle Acne Cream. Buy now!! $19.99.” A mouse icon hovers over the “buy now” text. Narration: Folks have tried to scam each other…
Image: A man with light brown skin and short brown hair wears a toga and stands in front of a sales booth. He is yelling, gesturing to his wares. The sales booth has some coins and a bowl on it, and on the front, a sign says “100% effective, no refunds” Narration: Probably as long as lying was invented. Greek Salesman Dialogue: “Plague B-Gone charms! One silver a piece!”
Image: Rebecca shrugs her shoulders, rolling her eyes, as she stands in the center of the panel. Rebecca Dialogue: “There tends to be some trends when it comes to health fraud and fakery.”
Image: A radioactive warning sign is in the center of the panel, surrounded by four objects, text and a small version of Rebecca. The text states “We put radium in everything!” The following products are shown, each labeled: toothpaste, hair cream, water (with the text “oh god why don’t” on the label”) and pottery (a small goblet). The chibi Rebecca says “I mean everything.” Narration: Trend 1: A new substance is discovered or an old one becomes trendy and someone decides to sell it for its “health benefits.” (1)
Image: Three different examples are shown. The first is the drawing of a class of water with the label “raw water” and the description: “free dysentery in every bottle.” The second is a drawing of a vaccine shot with the label “anti-vax solutions” and the description “Diphtheria: the comeback kid!” The third is a small picture of the sun wearing sunglasses with the label “types of sun bathing” and the description “skin cancer? Never heard of her.” The drawing of the sun says “aw no.” Narration: “Trend 2: Folks have been arguing that “All Natural” solutions are the golden ticket- for a pretty penny of course.
Image: A light skinned homeopath with a vest and a beard stands in front of a table with a snake and a bottle on it. The homeopath’s eyes are closed, and he speaks to the snake as if lecturing it. The snake replies. Narration: Trend 3: Some strands of quackery just won’t die even when they fail to work. Homeopathy for example, keeps on kicking. (2) Dialogue, Homeopath: “If I dilute your venom dozens of times, I can treat-” Dialogue, Snake: “Abssssoultely nothing.”
Image: Rebecca stands in the middle of the panel, looking serious. Rebecca Dialogue: “As silly as some of these remedies sound, quackery is dangerous.”
Image: Small cartoon drawings of measle viruses fill the panel. Narration: Both on an individual level; patients can die from preventable/treatable conditions. (Measles, for example, has made a big come-back in the US with the rise of the Anti-Vax movement). (3)
Image: A diagram of a cartoon human is in the center of the panel, with lines dividing their brain into different color coded sections with numbers. On the right, there is text identifying a trait to correspond with each part. It reads as follows: “1. Prophecy 2. Intimidation. 3. Immortality 4. Mirth. 100% B.S) Narration: But also at a societal level where it can uphold harmful ideas. Phrenology for example was used to uphold and codify scientific racism.
Narration: People have combatted quackery for ages and it’s easy to join their ranks. Here’s some ways to help. Image Description: A duck wearing a lab coat floats in a body of water, Dialogue, off screen: “...I don’t think that duck has a medical degree.”
Narration: 1. Be skeptical! Anyone can fall for quackery regardless of intelligence. Never assume you’re “too smart” to fall for fraud. Image: A picture of Garfield on a computer screen appears. It is just his face looking straight forward. A cursor is a few centimeters away. Under Garfield text states as follows: “you are not immune to propaganda) Narration: 2. Warn friends and family about fake treatments. Don’t shame people but be honest and clear about your concerns. Image: A women with dark hair in moon buns and brown skin speaks to a man with light skin and freckles. She looks concerned, and he looks confused, holding a tablet in his hands. Behind them is living room furniture.
Narration: 3. The modern medical system has its problems but if anyone tries selling you something that “doctors are hiding from you” it's probably quackery. Image: Rebecca wearing the same outfit as Fred from scooby doo, holds a mask in her hands. She faces a human sized duck, who is tied up and glaring at her, wearing the rest of the costume to which the mask belongs. Rebecca Dialogue: “Just as I suspected…”
Narration: 4. If you see an obvious scam online, report it! Or draw it into your comic on medical scams. In parentheses under the box, text reads as follows: “no really, this is based on a real tiktok” Image: A phone is pictured showing tiktok. On the screen is a woman with light skin and red hair hugging a large oak tree. The text says “tree vibrations for health” at the top and “health secrets at the bottom”

Citations:

  1. Kang L, Pedersen N. Quackery : A Brief History of the Worst Ways to Cure Everything. Workman Publishing; 2017.
  2. Dotinga R. The lethal legacy of early 20th-century radiation quackery. Washington Post. https://www.washingtonpost.com/health/the-lethal-legacy-of-early-20th-century-radiation-quackery/2020/02/14/ed1fd724-37c9-11ea-bf30-ad313e4ec754_story.html. Published February 14, 2020. Accessed March 29, 2024.
  3. The worrying return of a nasty virus: Better awareness and access are needed to rebuild measles vaccination rates. Financial Times. January 29, 2024:22.
  4. Rogers K. Phrenology | History, Theory, & Pseudoscience | Britannica. Encyclopaedia Britannica. Published March 14, 2024. Accessed April 8, 2024. https://www.britannica.com/topic/phrenology

 

 

 

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For a moment, let’s entertain a hypothetical. Let’s say you have an excellent paper on your hands about the impact of smoke on the lungs. Your team is about to submit it for publication: pretty exciting! When you get your paper back from the publisher, it’s mostly good news: they’re willing to publish your paper with the caveat that you add a diagram of the lungs to your paper as a visual aid of the systems impacted. The problem? You have no idea where you could acquire an image that would suit this task that wouldn’t potentially violate copyright. 

With this conundrum, one of your coauthors suggests a solution: why not generate one? They have a subscription to Midjourney, the AI software that can generate images from text. Why not give Midjourney a summary of the diagram you need, have it generate it, and then use that for your paper. After checking the journal’s policies on AI (it’s allowed with disclosure), you do just that, glad to have quickly moved past that stumbling block. 

Pretty great, right? It sure sounds like it, until you take a look at the images Midjourney generated. Because on closer inspection, there are some problems. 

Below is an image I generated in CoPilot for this blog post. I didn’t ask it to do something as complicated as making a diagram of how smoking impacts the lungs; instead I asked for just a diagram of human lungs. Here is what I got, with my notes attached.

An image of an AI generated diagram of the lungs in a human women is featured with red text boxes pointing to errors. In the upper left, a box says "nonsense of gibberish text" and a red line points to oddly generated letters that mean nothing. Below it, another box reads "I don't know what this is supposed to be, but I don't think it's in the armpit" with a line pointing to what looks to be an organ with a flower pattern in it. Below that, another box reads "this heart is way too small for an adult" and the red line points to the heart on the diagram. On the left, the top red box reads "now the stomach does not reside in one's hair or arteries" with red lines pointing to a picture of the stomach that is falsely labeled as being in the hair or neck. Below that, a new box reads "what are the gold lines supposed to be in this diagram" and it points to yellow veins that run through the figure like the red and blue that usually denote the circulatory system. The last box on the right says "I have no idea what this is supposed to be" and points to what looks to be bone wrapped around a tube leading out of the bottom of the lungs.

Alright, so this might not be our best image. Thankfully, we have others. Let’s take a look at another image from the same prompt and see if it does a better job. 

An image of an AI generated diagram of the lungs is featured with red text boxes pointing to errors. In the upper left, a box says "more nonsense text" and a red line points to oddly generated letters that mean nothing. On the right side, a box says "bubbles should not be in the lungs!" with a red line pointing to what looks to be odd bubbles inside the lungs. Below it, a red box reads "what are these small clumps/objects?" and it points to what looks to be red large bacteria and clumps on the lungs.

So what happened here? To explain how this image went terribly wrong, it’s best to start with an explanation of how AI actually works.

When we think of AI, we generally think of movies like The Terminator or The Matrix, where robots can fully think and make decisions, just like a human can. As cool (or terrifying depending on your point of view) as that is, such highly developed forms of artificial intelligence still solely exist in the realm of science fiction. What we call AI now is something known as generative AI. To vastly simplify the process, generative AI works as follows: you take a computer and feed it a large amount of information that resembles what you want it to possibly generate. This is known as “training data.” The AI then attempts to replicate images based on the original training data. (Vox made a video explaining this process much better than I can). So for example, if I feed an AI picture of cats, over time, it identifies aspects of cats across photos: fur, four legs, a tail, a nose,etc. After a period of time, it then generates images based on those qualities. And that’s how we get websites like “These Cats Do Not Exist.”

If you take a look at “These Cats Do Not Exist” you might notice something interesting: the quality of fake cat photos varies widely. Some of the cats it generates look like perfectly normal cats. Others appear slightly off; they might have odd proportions or too many paws. And a whole other contingent appears as what can best be described as eldritch monstrosities.  

The reason for the errors in both our above images and our fake cats is due to the fact that the AI doesn’t understand what we are asking it to make. The bot has no concept of lungs as an organ, or cats as a creature; it merely recognizes aspects and characteristics of those concepts. This is why AI art and AI images can look impressive on the surface but fall apart under any scrutiny: the robot can mimic patterns well enough, but the details are much harder to replicate, especially when details vary so much between images. For example, consider these diagrams of human cells I had AI generate for this blog post.

A picture of an AI generated human cell. There are red boxes with text pointing out errors and issues in the image. The top box has the text "nonsense words. Some of these labels don't even point to anything" with two red lines pointing to a series of odd generated letters that mean nothing. Below that, a red box has the text "I have no idea what this is supposed to be" with a red line pointing to a round red ball. On the right side, a text box reads "is this supposed to be a mitochondria? Or is it loose pasta?" with a red line pointing to what looks to be a green penne noodle in the cell. Below that, a red text box reads "I don't think you can find a minature man inside the human cell" and a red line points to the upper torso and head of a man coming out of the cell.

Our AI doesn’t do bad in some regards: it understands the importance of a nucleus, and that a human cell should be round. This is pretty consistent across the images I had it make. But when it comes to showcasing other parts of the cell we run into trouble, given how differently such things are presented in other diagrams. The shape that one artist might decide to use for anaspect of a cell, another artist might draw entirely differently. The AI doesn’t understand the concept of a human cell, it is merely replicating images it’s been fed. 

These errors can lead to embarrassing consequences. In March, a paper went viral for all the wrong reasons; the AI images the writers used had many of the flaws listed above, along with a picture of a mouse that was rather absurd. While the writers disclosed the use of AI, the fact these images passed peer review with nonsense text and other flaws, turned into a massive scandal. The paper was later retracted. 

Let’s go back to our hypothetical. If you need images for your paper or project, instead of using AI, why not use some of Himmelfarb’s resources? On this Image Resources LibGuide, you will find multiple places to find reputable images, with clear copyright permissions. There are plenty of options from which to work. 

As for our AI image generators? If you want to generate photos of cats, go ahead! But leave the scientific charts and images for humans. 

Sources:

  1. Ai Art, explained. YouTube. June 1, 2022. Accessed April 19, 2024. https://www.youtube.com/watch?v=SVcsDDABEkM.
  2. Wong C. AI-generated images and video are here: how could they shape research? Nature (London). Published online 2024.

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Photo by Nick Fewings on Unsplash

When was the last time you checked your phone? (That was easy.) 

Now, when was the last time you read a poem? 

Let’s explore some places online to find poems related to health, illness and recovery, and where to find them. We’ll also take a look at some outlets you might consider sending your poems out to, if you are a poet. National Poetry Month was launched by the Academy of American Poets in 1996 to celebrate the integral role of poets and poems in our lives.

With healthcare's proximity to pain, uncertainty, and death – all catalysts for art – it's no surprise that many patients and doctors alike have converted their experiences into poetry. If you're craving poetry about the healthcare experience, the modern options are abundant. The Poetry Foundation's Poems of Sickness, Illness, and Recovery (a contemporary and diverse list) illustrates this wonderfully. 

Consider Elaine Equi's "Earth, You Have Returned to Me," where the author compares her pharmaceutical experience to being on different planets with different gravities, and presumably with different flows of time – an analogy that cannot be captured with dosage information or measurement of vitals. 

Or Jane Kenyon’s “After an Illness, Walking the Dog,” which records the experience of recovery: both the awareness of life (“every pebble gleams, every leaf”) and our vast limitations.

Poetry websites aren’t the only place to find poems, however.  Did you know that poetry can be searched in PubMed as a MeSH heading? Entering the search "Poetry as Topic"[Mesh] will yield results that include poems found in journals, including JAMA, which publish poetry on a regular or occasional basis. This MeSH search will also yield poetry-adjacent studies, including intriguing investigations which are situated at the intersection of poetry and medicine.

If you are engaged in the practice of writing poems, you’re in good company. Renowned poets like William Carlos Williams – a physician and writer – have demonstrated simultaneous excellence in medicine and art. But you certainly don’t need to be William Carlos Williams to write poems. Here are some potential outlets for your work, in addition to the journals mentioned above, and additional sources of healthcare-inspired creative output:

You can find a longer list of health humanities journals here.

The next time you take a study break, grab a snack and then feed yourself with poetry. Your brain will thank you!

This post was co-authored by Randy Plym and Deborah Wassertzug.

References

Equi, Elaine. (2016). Earth, You Have Returned to Me. Poetry Foundation. https://www.poetryfoundation.org/poetrymagazine/poems/91313/earth-you-have-returned-to-me. 

Kenyon, Jane. (1987). After an Illness, Walking the Dog. Poetry Foundation. https://www.poetryfoundation.org/poetrymagazine/browse?contentId=36904.

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Infographic with picture of fruits, vegetables and scrambled eggs. In the center it read March is National Nutrition Month. On the right it read Beyond the Table 2024 National Nutrition Month A campaign by the academy of nutrition and dietetics.

National Nutrition Month, an annual event that takes place in March, is a time for people to learn more about nutrition, the role nutrition plays in health and how to meet their personal nutrition needs. The 2024 National Nutrition Month’s theme is “Beyond the Table” which looks at the role of food production and distribution, as well as the ways in which nutritional meals may be enjoyed outside of a traditional dining setting. Below are some ways in which you can speak with your patients about the importance of nutrition. 

The Academy of Nutrition and Dietetics is a valuable resource to share with patients interested in making changes to their current diet or those interested in receiving help from a registered nutritionist. The Academy’s website features information about food groups, food safety, fitness tips and recipes. The Find a Nutrition Expert database contains contact information for credentialed nutrition and dietetics providers and includes in-person or telehealth providers. Last, 50 Ideas to Get Involved in National Nutrition Month will encourage your patients to think about nutrition in new ways, educate their local community and test weekly meals and food groups that they may be unfamiliar with. 

Himmelfarb Library’s catalog has a wide range of educational materials related to nutrition and public health. The Nutrition Research Guide is a great resource for library books, journals and other professional information such as data and statistics. Library research guides are useful for quick reference or for locating a resource based on a specific subject. Our guides change over time as library staff locate new and relevant information, so be sure to check the guide’s homepage often for updated information. 

The GW Culinary Medicine Program offers an elective for 3rd and 4th year medical students as well as free courses (both virtual and in-person) for the general public. During the classes “participants will learn to cook healthy, delicious recipes and learn basic nutrition concepts such as building a healthy meal, eating on a budget, meal planning, and how to use leftovers.” (MD Culinary Medicine Program, n.d.) The program’s Culinary Medicine elective is offered during fall and spring semesters to third and fourth year medical students. The purpose of the elective is to provide “students the skills to teach patients how to incorporate healthy eating for the prevention and treatment of diseases by altering their diets, meal preparation and food choices.” (MD Culinary Medicine Program, n.d.) If you are interested in a hands-on approach to learning about nutrition, visit the Culinary Medicine Program’s website. 

National Nutrition Month is a great time to discuss nutrition in an inclusive and gentle way. For many people, nutrition is a difficult topic because of preconceived notions about healthy food, costs associated with a “healthy” lifestyle or anxiety surrounding food and food rules. By approaching these conversations with empathy and active listening, you can work alongside your patients to break down food stigma and slowly introduce healthy eating habits to meet nutritional needs.

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