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Shakespeare’s plays and motifs have been cited and appropriated on screen since motion pictures were invented in 1893. Allusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. ...continue reading "When Films Allude to Shakespeare …"

Shakespeare and East Asia (2021) explores distinctive themes in post-1950s Asian-themed performances and adaptations of Shakespeare. In this Snapshot, former Fulbright Scholar Alexa Alice Joubin discusses the book and the importance of wider research into Global Shakespeares. ...continue reading "The Value of Global Shakespeare"

Actes des congrès de la Société française Shakespeare 37 (2019)

How does Ophelia become “unbound” through supralinguistic structures of spectacle and music especially in a transgender performance? With case studies of three Hamlet films: Haider (India, 2004), The King and the Clown (South Korea, 2005), and Prince of the Himalayas (Tibet, 2006), this article examines theatrical and cinematic presentations of Ophelia's double bind as an icon and a victim. ...continue reading "Ophelia Unbound"