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By jdippel529

In Spain, spring break takes place during the Holy Week (Semana Santa), and gives students about 13 days off from school. A couple of my friends and I decided it would be a good idea to make use of the wo weeks and turn it into a eurotrip. So, I am currently writing this blog in a cozy little apartment in downtown Athens where we arrived after a 3 day trip to Rome. Before I left for my trip, I wanted to make sure I made the most out of my travel experience. This is why I finally decided to book a food tour while in Rome. At first, I thought 100 euros was a bit too steep of a price, but once I realized all that it included I knew the tour was a unique opportunity that I just couldn’t miss out on. When in Rome…right?

The EatingItaly Rome Tour, which I highly recommend, passed through the up-and-coming area of Trastevere and included 8 wondrous stops: a long-time family-owned restaurant where we tried fried artichokes and Italian champagne, an ancient wine cellar dug up by the restaurant that lay above, a family-run bakery, two meat and cheese shops, a suppli (fried rice ball) shop, an award winning restaurant where we ate gnocchi, spinach and ricotta ravioli and risotto, and a gourmet and organic gelato place. I cannot stress it enough when I say that it is easy to get caught up in the tourist traps of Rome. This tour, however, stopped at local, family-run places that simply oozed authenticity. In this tour alone, I learned more about Rome than I had going around hte city for 2 whole days.

I never thought that taking a food tour would be so rewarding, but I promise you it was. I was able to make new and authentic discoveries into the Italian culture (culinary and historical), to meet new people from all over the world, to eat things I normally wouldn’t otherwise, and to do something completely on my own. Since I was in London when my friends booked the tour, their time slot was sold out by the time I got around to purchasing a ticket. On a whim, I decided to go on the earlier tour alone. I had never done something like this on my own before, and was naturally a bit apprehensive. Thankfully, it was the best thing I could have ever done. Being on my own forced me to talk and get to know the people in my group, all who were amazing. Our group consisted of a newly wed couple from rural Pennsylvania, 4 friends from Cyprus, Rick Steves (!!) and our lovely tour guide, of course. Yes, that’s right—a celebrity was on the tour with us and I didn’t even know it at the time! Rick Steves, the author and travel guru, happened to take the same tour for research on an upcoming project he was filming in Rome. Since I had no idea who he was at the time, I thought that he just had a cool job, nothing more. Because Rick left before our last stop (some amazing and authentic gelato), I was able to hear our guide talk about how she couldn’t believe a travel wiz like him was on her tour! At that point, I was just mad I missed out on the opportunity for a picture or autograph. Rick, if you’re reading this, an autographed travel guide would be awesome! Thanks for making my special tour that much more special.

Without my friends, I also learned the most important lesson of all: traveling with friends can be great, but the most important journey will always be the one with yourself. Being on my own allowed me to better perceive my experience and transform it into something memorable and lasting. In other words, it was easier to figure out what that time had meant to me, rather then deciding after putting together the opinions of the rest of my group.

So…what to take away from all of this? While traveling, always, always, always seek out an authentic cultural experience, and always make sure you are able to enjoy an experience in the moment, without the thoughts and opinions of others.

By catrionaschwartz

The Last Supper Part II: My Last Week in Rome

I am now at my final week in Rome. After approximately four months in the Eternal City I barely feel I know it at all. There are bits and pieces—routes I’ve carved out in my mind; the course of the 870 bus up Gianicolo Hill, a thread of direction in the tangled streets of the Centro Storico, between Piazza Navona and the Pantheon, the route between restless crowds in Trastevere after nightfall—but Rome was so much bigger than I expected.

There have been other places I’ve touched; Monti with its ivy curtain on the corner of Via Panisperna, Pigneto with its little bungalows and street art and Testaccio, just slightly rough around the edges. It’s not the same as really living somewhere, when you study abroad. It’s a taste of it but four months is just drop in the ocean.

I think I’ve said this before but I’m reminded of the thought now that I’m in my final days here: I could live in Rome a lifetime and never know it fully. To think that four months would suffice—it’s nowhere near enough time. Still I was inspired reading Julia’s blog post about her host brother asking her what she actually liked about Buenos Aires. It made me think about what I really know about Rome, beyond its founding myth and the boundary lines of certain neighborhoods and the price of a ticket to the Vatican Museum.

So I’ve compiled a list of things I’ve come to know about Rome. Some of them are things I’ve loved, and some of them are things I’m ready to be done with, but all of them are tiny facets of my time here. They’re part of this experience here which has been something that I can’t assign any sort of value to, positive or negative, and that can only be remembered in moments rather than with any sort of overarching sentiment or conclusion.

So here it is, Rome, and what I’ve come to know of it:

The confetti that littered the ground around the time of Carnevale.

The aspens and the palm trees and the honeysuckle and purple flowers which came with spring.

The local bars without any of the fuss of cafes back home but with equally good and exponentially cheaper fare. I can’t believe the days of 1 euro cappuccinos are soon to be behind me!

The painful cobblestones. They’re beautiful and I have to believe they’ve made me a stronger person. Or at least my feet.

The old water fountains, at first a mystery to me, and which I’ve finally mastered. Knowing how to use one correctly is a quick and easy way to feel like less of a tourist.

The pain of a 2 euro charge for still water at almost every restaurant in Rome.

The nuns and the priests throughout the city.

Even better: the monks and the friars. Where else in the world would you see Franciscan friars (with their long brown robes and the white rope around their waists) walking down the street as you go to catch the bus home?

The piazzas at night filled with people and bottles of wine, somehow lively and quiet at the same time.

The comparative din around places such as Bar San Calisto where American students, Italian high-schoolers, and locals anywhere from twenty-two to sixty-two will spend an evening drinking and talking to strangers.

Shops and restaurants with no names at all.

The opulent antique stores along Via dei Coronari.

The way the city is filled to the brim for Catholic holidays.

The prevalence of take away pizzerias and gelaterias.

The absence of any other kind of take away.

The utter dearth of food trucks.

The fact that the only people eating in a restaurant before 8:30 are Americans.

A satisfying aperitvo where you can get a whole meal and a drink for under 12 euros if you know the right places to go.

How medicines are all sold at old school pharmacies where almost everything is behind the counter.

The fact that many people dry their clothes on lines and without a dryer.

The way people wear down coats even when it is sixty degrees out because it is still March.

The way you stand out as an American when you wear temperature appropriate, season-inappropriate clothes, or too many bright colors.

The diminutive but welcoming religious minority communities.

The incongruous Egyptian obelisks throughout the city (and the one pyramid).

The Pantheon, a temple which became a church, and then inspired Baroque architects to construct churches that looked like temples.

How easy it is to take a plane to somewhere with a completely different language and culture.

How easy it is to take a train to a quiet medieval fortress town and look out at the iconic Italian countryside.

Having the chance to visit the Forum before the hordes of tourists arrive, when it can feel just a bit more like a ghost town and not a tourist attraction.

The sense of achievement after any successful interaction conducted in Italian, no matter how minor.

The sense of accomplishment at having a list like this, and of being able to write more. Of having some way to account for an experience which was too unwieldy to put any sort of conclusion to.

The next entry I write will be after I’ve been home for a few days. I can’t imagine how I will be feeling then but I know no matter what I’m thankful that I’ve been able to have this experience.

By catrionaschwartz

One of the best things about Rome is how easy it is to leave. An hour and a half journey by train can transport you from the bustling, crowded city to a villa in Tivoli, surrounded by intricate Renaissance gardens and fountains with flowers blooming everywhere. The Italian countryside is famous and you don’t have to go all the way to Tuscany to see why. The rolling hills with their medieval towns perched on top of them, rows of aspens leading to grand homes, orchards with small olive trees—it’s an image that has been co-opted by many artists around the world throughout history.

Landscape

As much as I love Rome I also relish the opportunity to see these landscapes with my own eyes. Standing in a Renaissance villa, looking out at the hills you can almost imagine that you are in the past, the landscape looks that unchanged.

Fountains

I felt that way, at least, until I looked down at my feet. I was wearing flip flops and even though I was at a tourist site, I was clearly the only one within a several mile radius wearing them. I asked an Italian friend and she said that while people would sometimes wear flip-flops outside of the city it wasn’t as usual as it was in the U.S. And I definitely stood out like a sore thumb with them on. It didn’t detract from the day—I was comfortable and I was so clearly in a group of Americans that the flip-flops probably didn’t make a difference anyway—but it did make me think twice about my shoe choice. Walking to get a coffee by myself back in Rome, my shoes attracted even more odd looks.

It’s similar to what I noticed in London: people dress more formally, on an informal basis. Just like leggings and Uggs would probably attract some odd looks in London, flip flops and a tank top would stand out here in Rome. Thankfully I have two other pairs of sandals—although the platforms are a bit difficult on the cobblestone—but it is yet another reminder of all the little quirks in Italy that I have yet to discover.

Another has been the appearance of a bright orange cocktail I’ve seen everyone drinking both at restaurants and at the local bars (which in Italy are cafes). My friend and I finally worked up the courage to ask the barista at our local bar and she said it was a Campari spritz. We tried one and to be honest it didn’t taste all that amazing to me but apparently everyone starts drinking them in the summer.

Campari Spritz

It’s really just like the confetti mystery when I first got to Rome. Every morning I’d find colorful confetti on the ground, all around the city but especially in my very residential neighborhood. I’d wondered if there were parades being held while I was at school, or if it was from people celebrating late into the night, but it turned out to celebrations for Carnivale, and it was usually children throwing the confetti not marching band members or late night revelers.

I wonder, if I were staying here longer, what other little mysteries would I discover?

 

By catrionaschwartz

When you have a limited amount of time to see a place it is easy to take in whatever site it is you are seeing with one glance and move on. Piazza Navona was one of those places for me until I had to do research on the fountain there for an art history class. While even in a cursory glance shows that the Piazza is beautiful it is also one of those sites that will almost always be filled with tourists, day or night. It is in the top 10 of all the Rome: Must See lists because of the massive fountain in the middle, known as the Fontana dei Quattro Fiumi. Like the nearby Trevi Fountain, the Fontana dei Quattro Fiumi draws in major traffic.

Because of this, the piazza bears a painful resemblance to all of the other main tourist sites of Rome, on a surface level anyway. There are a slew of over-priced restaurants around the piazza, men selling bootleg sunglasses and purses and artists selling cartoon drawings of celebrities (lots of Obamas and Angelina Jolies for example) and nameless paintings of Rome. The familiarity of it all can be off-putting. As I said, after I saw the fountain for the first time, I didn’t feel a strong pull to go back and see it again, until I had to do a project on the main fountain. What I found out about it was actually pretty fascinating.

The man who designed the fountain, Bernini, had won the commission for the fountain in a contest held by Pope Innocent X (who had a palazzo on one side of the piazza and a church which he sponsored on the other). The fountain is made up of four male figures, sat on top of realistic rocks and topped with an ancient Egyptian obelisk. The four figures represent the four major rivers of the world in the continents where papal authority had spread. There was the Nile River for Africa, the Ganges River for Asia, the Rio de la Plata for the Americas, and the Danube for Europe. Each of the figures also have smaller details to show an educated viewer which river they represent.

The figure of the Nile has a cloth over its head to represent the fact that no one knew where the source of the Nile was. The figure of the Ganges is holding an oar, to represent how easy it is to navigate the river. The Danube River figure is touching the Pamphili coat of arms since it was Pope Innocent X who had commissioned the fountain and the Danube was the closest to Rome. The last figure, that representing the Rio de la Plata (literally River of Silver), is sitting on a pile of coins to show the wealth that the Americas provided Rome.

The fountain shows what a real presence the pope and the papal state had not just in Europe but in the world. Today the Church is a spiritual authority but in that period it was an earthly, political authority as well. The figure for Rio de la Plata shows this the most clearly, as it obviously references earthly actions of the Church. The Rio de la Plata figure is also cowering—most likely because of the snake (representing loss of wealth) rearing towards it. There is a story however that Bernini placed the cowering Rio de la Plata figure facing the church of Sant’Agnese because Pope Innocent X had given the commission for that church to Bernini’s rival, Borromini. The figure is cowering because it is afraid the church will collapse due to Borromini’s poor design plan.

Finding all of these stories about the fountain made me want to go back and it made me realize that sight-seeing takes effort. Sometimes you have to research and prepare to really get the most out of what you are seeing!

By catrionaschwartz

I’m almost near the end of my time here in Rome. On the one hand I’m excited to go home—I’ve been studying abroad for a year now and there are so many things I miss—but at the same time I’m not ready to leave. Living in Rome has been an adventure. Being able to travel every weekend and to constantly see new things is something I don’t think I’d ever get tired of. Being able to return to a sunny apartment in Rome made the experience even better.

One thing that has been a surprising joy is standing at a bar, drinking a cappuccino in the mornings. It was something I was a bit confused by when I first arrived here. One, that what we would call cafes are called bars, and two, that there are often very few seats in these cafes. Instead you see people lined up at the bar, sipping at on their espressos and macchiato, bags leant against their legs, looking for all intents and purposes completely settled there.

Taking a coffee to go will garner you some odd looks—certainly you’ve clearly marked yourself as a foreigner—because very few Italians drink their coffees outside the bar. For a dyed in the wool Starbucks patron, where almost everyone gets their drinks in paper and plastic to go cups, it all seemed a bit off-putting.

I gave it a try though. Standing by myself, my bag leant against my leg, in comfortable silence with strangers doing the same on either side of me, I realized it wasn’t so bad. And coffee tastes worlds better when it’s not coming out of a paper cup. It’s a way to relax a bit as well, after a stressful morning commute (and public transport in Rome, during rush hour is a trial, a trial of wills, patience, and balance).

It’s such a small thing, but it has made me enjoy coffee in a different, if equally ritualized way. Before living in Rome, coffee meant a to-go iced latte or chai from Starbucks, taken to class, or to drink while studying. It was a way to supplement an experience, or to make it more palatable. In Rome, coffee is the experience, and it’s one I’ve come to love.

 

 

 

By catrionaschwartz

Today I went to the Vatican for the Easter Mass. The mass is held in St. Peter’s Square, not in the actual basilica itself, which means that not only can up to 80,000 people squeeze into the square to watch the mass from there, countless others can watch from beyond the colonnade. My decision to attend the mass was very last minute so I was unfortunately one of the many people standing outside the colonnade but there were big screens and speakers set up so that we could see and here the Pope anyway.

It was completely packed, for a couple of reasons. First of all, this was the new Pope, Pope Francis’ first Easter mass. Second of all Pope Francis (Papa Francesco) has been a very popular pope thus far. And finally, and most importantly, Rome, the Vatican, is the Catholic Capital of the world. Of course people will flock there.
I mentioned in my first about Rome how there were so many nuns and priests and that impression has only be furthered the longer I’ve been here. The neighborhood I live in is full of papal buildings and many orders of nuns and monks. When I take the bus home from school there are always a few nuns that hope on, speaking different languages, wearing slightly different habits, but all there to be in Rome, near the Vatican.

It’s a very interesting contrast from New York and DC, neither of which have extremely strong religious presences, although of course there are many religious people there. It isn’t as likely though to walk down the street and pass two priests and several monks in robes down to their ankles.

It’s so interesting to see such a strong religious community. The fact that Italy has an almost 90% Catholic majority makes that presence even stronger. I loved being able to experience that fervor when I went to the mass today, and to be able to feel everyone’s excitement at seeing this new Pope. Hearing the colonnade echo with music and prayers reminded me that as much as St. Peter’s, and the Vatican as a whole, are major tourist destinations, filled with beautiful art and rich history, they still genuinely serve a religious purpose to millions of people around the world, and have for centuries. Seeing the new Pope there today, I felt like I was experiencing that history myself.

Vatican

By catrionaschwartz

I am now at the mid-way point of my semester here in Rome. These past two weekends I spent traveling in Italy—the first weekend in Palermo, and this last one in Tuscany—and it has been amazing, but I’m glad I will be in Rome these final few weeks. Palermo was fascinating though. It was very different from Rome. It had ruins of sorts, and while some were created by neglect and decay, many others were remnants of World War II—with whole facades of buildings gone, revealing hallways to bombed out rooms, abandoned chairs and tables—eerie but beautiful. It was also a very diverse city. Some of the street signs had Hebrew and Arabic translations, and there were lots of Indian restaurants and kebab shops which you don’t see as much of in Rome.

That weekend also tested my Italian skills. Most of the waiters and shopkeepers spoke to us solely in Italian which was refreshing as well as challenging. In Rome, people often respond in English once they hear your accent (or pick up on one of the many other innumerable clues that you are in fact American). I try to respond in Italian anyway. I like to think that it gives both myself and the person talking to me a chance to practice our language skills. In Palermo though, 90% of the conversations we had with locals were conducted in Italian. It made me appreciate how far my language skills have come, and how rewarding it was to be able to practice a language with locals while learning (something I hadn’t experienced when I took Spanish and French back in the States).

Still, the dialect in Sicily is quite different. There were a couple times the words they used were completely different from the Italian spoken in Rome. When we went to one of the main street markets for example, the vendors used a different word for ‘bag’ than what I had learned. Not to mention the market itself was so different from the placid farmers’ markets you see in Rome--people were shouting everywhere (“Fragole, belle fragole!”), and I tripped over a fallen fish head trying to avoid a group of boys fighting in the street and it was all a shambolic, wonderful mess.

Tuscany was a completely different experience. First of all it was a trip organized by the program so there was none of the stress of having to figure out the when/where/hows of the trip, we just got on the bus and got off the bus when it stopped. Then there was the fact that Tuscany is more about the sweeping landscapes, and quiet glasses of wine than frantic cityscapes. It was just as much fun though. We stopped in Sienna which was grand and medieval looking, and then Montalcino, which was practically empty which I loved. Montalcino is known for its Brunello wine and there are 210 vineyards in the area. We stayed the night in a 15th century farmhouse and vineyard with views of the rolling hills and it was relaxing and quite.

Rome will be somewhere in between. It’s not quite Palermo levels of chaotic but it is still a loud, frenetic city. The number of tourists is also increasing every day, making the narrow streets feel claustrophobic at certain times of the day. Still, the weather is beautiful and all of the flowers are blooming now. All this time I’ve been gone during the weekends but now I need to focus on Rome—the countless museums, the farther flung neighborhoods, the food and the wine—there’s still so much to see! I can’t believe I only have a few weeks left.

By billienkatz

Before embarking on the study abroad journey, I was bombarded by people (both friends, family and professors) who said it would be a major lesson in independence. This was almost insulting at times because I view myself as an independent person to begin with. Over the course of the past few weeks, especially since I really started jet setting around Europe, I've started o understand what everyone was talking about.

There is a sense of adaptability, resiliency, and go-with-the-flow attitude that is necessary while studying abroad, and in turn this manifests itself into a new form of independence. For the first time in my life I've been navigating myself around foreign cities where I don't speak the language and have limited access to WiFi and can only occasionally rely on google maps. For example, this past weekend I took advantage of having a Thursday off of school and took a five day trip to Rome and Florence. I was flying round trip in and out of Rome, and faced with taking the train from Rome to Florence and back again. I had already taken the train in Spain and had expected the process to be flawless and easy; however, as you can probably assume it was not.

First, I speak no Italian and despite what I thought before arriving, it really isn't recognizably similar to Spanish. Then, once I couldn't figure out the lines at the ticket office and weird number calling system (I had number A312 and they were called N4 and R109) I decided to give it a go at the ticket kiosk, which didn't work either. I don't have the chip in my debit card that all the European machines read, so my transaction was unable to be completed.

I should also mention that it was now approximately 2:23 and I had to get on the  2:31 train that was the last one going from Rome to Florence until the next morning. Low and behold, and only after  being forced to tip the man who helped me figure it out,  I was en-route to Florence. While this obviously isn't my most applicable example, its what has happened the most recently.

Overall, what I'm trying to get across is that everyone was right, being abroad does teach you an entirely new sense of independence that Ive never had to utilize before. In addition, in the process I have learned a lot about myself and how I approach and react to certain situations. For example, I have learned that I really value traveling with my parents and utilizing curbside check in, and that the world doesn't stop turning if I have to wear the pants and sweater multiple times in a row because my trip destination was colder than expected and I can only fit so much in a RyanAir approved carry on bag. Finally, I have learned that there is always room to grow as a person and learn more about yourself, and for me this has been my most powerful realization.

By catrionaschwartz

There is a poem by Elizabeth Bishop called “One Art,” and the repeated line in the poem is “The art of losing isn’t hard to master.” This weekend I lost a necklace I’ve had for twelve, nearly thirteen years and that line has been circling through my brain ever since. It was (is) a charm necklace, though it didn’t start out as such. At first it was just a necklace with a crown on it, a souvenir from the Tower of London, bought during my first trip out of the country when I was eight. I wore it constantly, I swear I wore it until it wore itself a groove in my neck.  Over the years my parents gave me charms to add to it—a music note, a cat, a heart, an owl, one of my grandmother’s old subway tokens—it became my lucky necklace.

When we went to visit the ruins and the beach in Ostia this past Saturday, I almost didn’t wear it, but then I saw it curled up on my desk and I put it on with only the briefest of thoughts (“Perfect.”). It was warm at Ostia Antica—an archaeological site outside of Rome, filled with ruins of a former port city—and I still had the necklace, hung carefully (precariously) around my neck. When we got closer to the beach it was breezier, cooler, so I put on my scarf and then my jacket. It wasn’t until I got home much later that night, when I took off my jacket and my scarf, that I felt the nakedness around my neck; that I realized the necklace was gone.

It was with a sort of grim, rising hysteria that I walked back to the bus station, but there was too much ground to cover and it was too dark to fully retrace my steps. We’d taken two buses and two trains to get to the beach alone, it was a good hour and half away from our house and the sun had set. My necklace, the one I’d had for nearly thirteen years—that I wore to auditions, to the SATs, to prom, to the grocery store, to class, at home with my cat—it was gone.

It was so silly, this little amalgamation of silver and gold and alloys had taken on a sort of sentience in my mind, melding itself just the slightest bit into my perception of self. And in a single afternoon, an infinitesimal fraction of its existence, it was gone.

But the art of losing isn’t hard to master.

And though that wasn’t really the point of the poem at all, even if it was just the words ringing in my ears along with the sadness, I know that although I will miss it, this wasn’t such a disaster. I didn’t lose farther or faster, not a house, not a city, not a realm, and most importantly, most essentially, most vitally not a “you.”

And that is why I know that losing my necklace—it wasn’t (Write it!) a disaster.

One Art

By Elizabeth Bishop

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

By catrionaschwartz

As many of you may have heard the Italian Prime minister Enrico Letto was asked to resign earlier this month after his Democratic Party voted to make rapid changes in the government in order to push through reforms. President Giorgio Napolitano then asked the current mayor of Florence, Matteo Renzi, to form a new government.

Renzi will be the youngest Prime Minister at age 39 (only two months younger than Mussolini was when he came into power). This is all occurring just ten months after Enrico Letto was elected following the Berlusconi drama.

This governmental upheaval hasn’t really disrupted my experience abroad (although I'm sure there will be some stumbling blocks in the near future as this new government is put in place) but it is interesting to see as a foreigner. In general I have noticed a greater number of strikes, protests and marches in Rome than in DC. There have been two major demonstrations in the time I’ve been here, both of which disrupted public transport. Italians do not seem terribly phased by this though and even expect it to some degree.

During our orientation we were told that Italians are happy to go with the flow; if their plans don’t work out, they make new ones, if the bus doesn’t come after forty-five minutes they’ll walk, or head home. This seems to be the attitude towards the demonstrations. I’m not sure if I wholly subscribe to the idea of national traits but I do think there would be greater frustration in the US if public transport was so frequently disrupted by strikes and marches.

This weekend I will have a break from the political drama though as I am going on my first trip—to Venice for Carnivale! To be honest my only real point of reference for this is the Count of Monte Cristo but I’m still really excited! Hopefully I will get some good photos to post for next week’s post. Till then!

*More info on Renzi here: http://www.bbc.co.uk/news/world-europe-25265945