Spot any supernatural occurrences on campus lately? Witness any paranormal activity during your lectures? Ghost problems at your residence hall? Who you gonna call? Does Ghostbusters immediately come to mind, or the crew of Ghost Adventures? Think again. Artist, sculptor, and draughtswoman, Alice Aycock, can come to your rescue.
Alice Aycock’s captivation with the many ghosts that inhabit contemporary work that involve technology, physics, and the contrast between mind and body, led her to create the site-specific sculpture, How to Catch and Manufacture Ghosts: Collected Ghost Stories from the Workhouse. Aycock was inspired by devices and apparatus found in history books from the 18th and 19th centuries and claims that her piece is “…her interpretation of the history of invention…”[1] Although Aycock’s device constructed of metal, glass, steel and wood was dismantled in the early 1990s, if you are having problems with the paranormal, a number of prints and drawings were created that document the work and its process with diagrams and quotes, and one drawing is a part of the GW Collection.
Aycock’s medium of work ranges from architectural drawings to sculptures to photo documentation. Growing up with a father who owned a construction company influenced Aycock’s interest in constructing sculptures and creating drawings based off of architecture. As an artist, she strives to create a transcendental experience for her audiences and what she calls the “glance of eternity”, an allusion to Friedrich Nietzsche’s concept of eternal return. In an interview with White Hot Magazine, Aycock expands on this, by stating that art that has this effect on you keeps you coming back to revisit the piece. [2] She compares it to that gasping moment one experiences when a wave comes in and takes you under. If you are interested in experiencing the “glance of eternity,” you can find her works in many collections aside from the GW Permanent Collection, such as the Museum of Modern Art, the National Gallery of Art, and the Whitney Museum of American Art. She also has public works displayed in various locations throughout the United States, among them are New York, Washington D.C. and Sacramento.
If you are in need of a remedy for your supernatural snag, Alice Aycock has you covered. Despite the sculpture of her work, How to Catch and Manufacture Ghosts: Collected Ghost Stories from the Workhouse, no longer being in existence, her drawing can provide you with detailed insights on how to take care of your pesky paranormal problems. With that said, put down your cellphone and your television remote! Forget about the outrageous and bizarre methods used by the Ghostbusters and the crew of Ghost Adventures and instead take a few pointers from Alice Aycock’s print to resolve any supernatural occurrences you may face on campus!
This post was was written by former Gallery Assistant Taylor Schmidt (BA 2017). It was originally published on the former Luther W. Brady Art Gallery “Found in Collection” Blog in October 2013 and is the first of a number of previous posts we will be highlighting “From the Archives”.
Happy Halloween!
[1] Alice Aycock. Institute for Research in Art at the University of Southern Florida.
[2] Nietzche’s concept of eternal return is the idea that events recur again and again infinitely. Aycock notes this concept in hopes that her art has an eternal return impact on her audienc