Jay Soglo: GW Publishing Alumni Profile

Jay Soglo is Production Controller at Johns Hopkins University Press (JHUP) and an outstanding graduate of the Master of Professional Studies in Publishing program, College of Professional Studies, George Washington University. Starting as publishing operations assistant at JHUP after his second semester in the GW publishing program, he has already demonstrated leadership in the field, moderating a successful and dynamic session on accessibility at the Association of University Presses Annual Meeting, speaking at the GW Ethics in Publishing Conference, authoring a paper published in the GW Journal of Ethics in Publishing, and as a mentor to others in the field.

What was the most challenging aspect of the MPS in Publishing program? What was the most rewarding?

The most challenging aspect of the publishing program was the time-management element. Juggling a family with young children and a full-time job required an adjustment and some sacrifices – mainly my social life (temporarily).

Part way through your studies in the MPS in Publishing program, you were hired in the books production department at Johns Hopkins University Press, and within a year received a promotion. What was it like to be working in a press while completing your degree? Were you able to use assignments to inform your work or vice versa?

Working in a press while completing my degree was great. Not only was I learning publishing skills in the program, but many times they would come in handy immediately. For example, I started the production management course as I was promoted. Every lesson that semester was directly relevant to my job. The biggest advantage of working in publishing while in the MPS program was having the ability to ask a professional for advice for nearly every aspect of publishing.

Jay Soglo, MPS in Publishing graduate

What are some of the reasons you decided to pursue the MPS in Publishing degree? Why did you choose GW specifically?

During the pandemic lockdown, I decided to pursue my dream of joining the publishing industry. I had known that I wanted to pursue graduate studies for a while and wanted to commit to this career path by getting the education first. The GWU Publishing program is well-known and is the best program in my area (and probably the country)! Though I ultimately chose the online program, being in the Baltimore-DMV area also made it possible for me to attend events in person.

What advice would you give to new or prospective students to the MPS in Publishing program?

My advice to new students is to save any online resources that they might find interesting or useful. It’s easy to assume that they’ll remain available indefinitely, but they don’t. Get them while you can! Stay in touch with your professors and colleagues that you connect with. And take advantage of mentorship. If a professor suggests you do something specific, do it! They push us because they see our potential!

“All my professors were fantastic…. This program is one of the few where every professor is not just a good teacher, but a supportive and wonderful person.”

What course or what professor made the biggest impact on you during your time at GW?

All my professors were fantastic, but a special thanks to Dean Smith, whom I credit with helping me get my current job. Professor Randy Townsend‘s Ethics in Publishing capstone course really made me think about ways that I can impact the industry. Randy and Professor Tony Julian are both fabulous and excellent role models. Program Director John W. Warren has been an excellent mentor from the very beginning of my time in the program. This program is one of the few where every professor is not just a good teacher, but a supportive and wonderful person. There aren’t enough words to thank everyone!

Jay Soglo at GW Commencement '24, with wife Elana (l) and sister Denisia (r).
Jay Soglo at GW Commencement ’24, with wife Elana (l) and sister Denisia (r).

What have you found to be the value of the MPS in Publishing degree, and how are you using what you learned, as a rising publishing professional? 

For me, the value in the MPS in Publishing degree was the confidence that it gave me as a professional. Many of the skills I refined in the program were new to me, or I did not feel that they were my strongest skills. For example, public speaking wasn’t something I had much experience in, but now I regularly present in work meetings, and even spoke in front of hundreds in a few conferences!

During your Ethics in Publishing Capstone course, you researched the topic of book bans, a meaningful topic for you. You presented on the topic at our 13th Ethics in Publishing Conference in October 2023; and your article on book bans was published in Vol 3, Issue 1 of the GW Journal of Ethics in Publishing. Can you talk a bit about how this project developed from a course project to a conference presentation, and to a journal article? How has this project and the process of publication had an impact on you?

When I began the project in the summer of 2022, I wasn’t sure of the topic or angle that I wanted to take. Unfortunately, around this time there were several devastating mass shootings and other really bad things in the news. Knowing that people out there were espousing hateful views in their manifestos while books focused on antiracism and inclusivity were being banned really rubbed me the wrong way. I used that anxiety and righteous indignation to write the paper, which then evolved into a presentation because I still felt very strongly that people other than my professor and classmates should be exposed to that message. Despite that, more and more news articles about censorship and book bans were coming in regularly, and so I kept writing and researching until I had a journal article. Being on the other side of the publication process allowed me to see what it was like for the authors that we serve in this industry and gave me a more well-rounded view of scholarly publishing as a whole. I consider the publication of the article my way of pushing back on censorship and putting my voice out there – something I encourage anyone who is concerned about censorship to do as well. 

“The MPS in Publishing degree [gave me] confidence as a professional. Many of the skills I refined in the program were new to me, or I did not feel that they were my strongest skills. For example, public speaking wasn’t something I had much experience in, but now I regularly present in work meetings, and even spoke in front of hundreds in a few conferences!”

We are proud that at the Association of University Presses Annual Meeting 2023, you organized and moderated a panel on accessibility with an accessibility super-star lineup. Tell us a bit about your interest in accessibility, as well as presenting at a high-profile conference such as AUPresses Annual Meeting—where your panel attracted an audience of ~500, the largest attendance of the (virtual) annual meeting!

My interest in accessibility really came about because I have autistic family members, which includes my daughter. It’s important to me that everyone have access to literacy and technology without being restricted due to ability. Accessibility is really for everyone, not just people with disabilities, but that isn’t a fact that’s well-known. I came up with the idea when I was encouraged by my JHUP colleague and GW professor Greg Britton to submit a panel suggestion to AUPresses. I wasn’t expected to be chosen, but the conference committee showed a lot of interest in the topic as well. After initially scrambling to find speakers for the panel, I was really lucky to get some of the foremost experts in the field to speak on the panel – Bill Kasdorf, Will Awad, Michael Johnson, Madeline Rothberg, and Jonathan McGlone. They are all great people and really eloquent speakers. I wasn’t expecting so many people to show up, much less being the most highly anticipated panel of the conference that year! Now whenever I must speak on a panel or in front of a group, I’m not nervous anymore because I already spoke in front of hundreds, and it went great.

GW Journal of Ethics in Publishing, Vol 3 (cover)

Jay Soglo’s article, Banned But Not Beaten: Confronting Book Bans from a Utilitarian Perspective, was published in the GW Journal of Ethics in Publishing, Vol 3.

13th GW Ethics in Publishing Conference

The 13th Annual GW Ethics in Publishing Conference will be held over two days—one hybrid day, Thursday, October 12, and one virtual day, Friday, October 13. An in-person social hour will be held at the end of the first day. Presenters from Canada, Chile, India, Mexico, the United Kingdom, and the United States will be presenting on topics including AI, DEIA, open access, workplace equity, multilingualism, digital publishing, open peer review, workflow, contracts, research integrity, library publishing, indigenous publishing, representation, and other topics on ethical issues in publishing.

Thursday, October 12, 2023
9:00 am-5:15 pm EST
Hybrid Format—In-Person and Online Presenters and Attendees
GW Arlington Education Center, room 102-104, Ballston
950 Glebe Road, Arlington, VA

5:30 pm EST
In-person Social Hour to follow conference
Location TBA

Friday, October 13, 2023
11:00 am to 4:00 pm EST
Virtual: Online Presenters and Attendees

View the full Conference schedule with speaker bios and abstracts.

RSVP for the Conference.

Registration is free of charge and open to all in the publishing, library, and scholarly communication community. Lunch will be provided to in-person attendees, and a social hour will follow the event.



Event Format:
In-Person: Choose “In-Person Attendee” if you are able to travel to attend the conference at the GW Arlington Learning Center in Arlington, VA. Space is limited. (Note: In-person attendees will also receive links to the live stream and recordings.)
Virtual: The conference will be live-streamed; sessions will be recorded subject to the individual preferences of speakers. Choose virtual attendees to register and receive a link to live-stream and recordings.

The GW Ethics in Publishing conference is hosted by the George Washington University Master of Professional Studies in Publishing program, in collaboration with the GW Journal of Ethics in Publishing.

The conference is organized by Puja Telikicherla, Licensing and Subsidiary Rights Manager, American Psychiatric Association Publishing, and Adjunct Professor, George Washington University; and John W. Warren, Director and Associate Professor, Master of Professional Studies in Publishing, George Washington University.

The event is sponsored by Association of University Presses (AUPresses)Society for Scholarly Publishing (SSP)Association of American Publishers (AAP)Council of Science Editors (CSE), and International Society of Managing and Technical Editors (ISMTE).

13th Ethics in Publishing Conference: Call for Presentations

5/15/23 update: The submission deadline for proposals has been extended to June 30, 2023. Thanks to all who have already submitted a presentation proposal. We have some great ones and will be in touch soon!

The 13th GW Ethics in Publishing Conference will be held on Thursday, October 12, 2023, as a hybrid event, with in-person and virtual presentations and attendees, at the George Washington University’s Arlington Learning Center, in Arlington, VA (Washington, DC metro area).

Submit your presentation proposal by June 30, 2023 (extended from May 15). We welcome your proposals for presentations and will seek to accommodate as many presentations as possible. Please indicate on the form whether you are able to present in person or online.

This is a joint call for papers for the GW Journal of Ethics in Publishing (see the Special Call for Papers—University Presses special issue).

We are soliciting conference presentations from (and for) publishing and library professionals, scholars, faculty, and students.

Potential topics include but are not limited to:
• Salaries/compensation/openness
• Sustainability of presses
• Accessibility
• Diversity & Inclusion
• Inclusive practices in language editing and design
• Community-centered peer review practices
• Multilingualism
• Demographics of university publishing—staff, authors, reviewers, & editorial boards
• Author outreach and education
• Free speech and censorship
• New university presses & their relationship to established university presses
• International partnerships between presses in developed & developing economies
• Ethics in accounting for publishing costs
• Ethical considerations of AI in publishing
• Author integrity (plagiarism, et cetera)

Fall at GW Campus. Autumn leaves and GW Templetto
Fall at GW

Alumni and current students in the GW Publishing program are invited to present their Ethics in Publishing Capstone projects.

Presentations will include invited speakers, multiple speaker panels, and short presentations. See presentations and slides from the 12th Ethics in Publishing Conference.

The 13th Ethics in Publishing Conference co-organizers are Puja Telikicherla, Licensing & Subsidiary Rights Manager, American Psychiatric Association Publishing, and Adjunct Professor, George Washington University; and John W. Warren, Director and Association Professor, Master of Professional Studies in Publishing, George Washington University.

The Association of University Presses (AUPresses), the Society for Scholarly Publishing (SSP), the Council of Science Editors (CSE), and the Association of American Publishers (AAP) are sponsors of the GW Ethics in Publishing Conference.

Attendance (in person and virtual) to the conference will be free-of-charge.

Deadline for Submissions for the 13th Ethics in Publishing Conference is June 30, 2023.

We will endeavor to accommodate as many presentations as possible. Registration for the conference is free. Use this form to submit your proposal for presenting at the conference. A registration form for attendees will be available at a later date.

The GW Ethics in Publishing conference is organized by the Master of Professional Studies in Publishing program.

Alumni Profile: Tina Donnelly, MPS 2022

Tina Donnelly, MPS, is an Assistant Managing Editor at Penguin Random House, where she assists department heads with all aspects of audiobook production and record keeping, as well as supports the Managing Editorial team on audio and large print projects and metadata maintenance. She is a talented 2022 graduate of the MPS in Publishing program at George Washington University, and the program’s newest instructional assistant. In the latest in our series of alumni profiles, Tina shares her experiences in the GW Publishing program, her work on DEIA issues, and her work at PRH.

Photo of Tina Donnelly, MPS
Tina Donnelly, MPS (2022)

Your current role is Assistant Managing Editor at Penguin Random House, where you work with audiobook and other products. Can you tell us about your work at PRH? What are some aspects you learned in the MPS in Publishing program have been helpful in your work?

As Assistant Managing Editor, I handle a variety of tasks within the audio department. While my main responsibility is maintaining the metadata of our thousands of audiobooks published each year, I also manage things such as web copy edits/updates, Canadian pricing conversions, and ONIX feeds, as well as proofing and reporting on titles in our Random House Large Print imprint, which is also handled by Audio. I enjoy my job immensely not only because I love books and audiobooks, but also because I get to work in so many different parts of the production and post-production process: all of which helps get our books into the hands of readers around the world.

Most everything I learned in the MPS in Publishing Program has been helpful in some way at improving my performance at Penguin Random House. One thing is simply a more thorough understanding of the publishing industry, and how a book goes from an author’s head to the hands of readers. A more solid knowledge of this process, not to mention the business behind it, went a long way in helping me understand just why we do the things we do at PRH. Additionally, the lessons on understanding brand image and audience interaction were essential at improving some of the more marketing-focused responsibilities at my job, such as celebrity narrator announcements and cover reveals.

…Getting to interact with the professors, all of whom are experts in their field and talented beyond measure… made understanding the real-world application of the material so much easier. Additionally, the professors’ stories and examples of working in publishing helped me to prepare for navigating the field.

What was the most challenging aspect of the MPS in Publishing program? What was the most rewarding?

The most challenging aspect of the publishing program was learning about areas of the industry that were not initially as interesting to me. As a reader and a lover of books, I was much more interested in the courses that focused on acquisition, copyright law, editing, and audience interaction. The more technical courses, ones that focused on coding, software, and technologies, were a bit more difficult for me. Thankfully, I had some truly gifted teachers that helped me along in areas that I struggled with, so it was more challenging than undoable, and I got exposure to a side of publishing that I otherwise would not have experienced.

The most rewarding part of the program was getting to interact with the professors, all of whom are experts in their field and talented beyond measure. The ability to learn lessons through the professors’ experiences in the field made understanding the real-world application of the material so much easier. Additionally, the professors’ stories and examples of working in publishing helped me to prepare for navigating the field.

What are some of the reasons you decided to pursue the MPS in Publishing degree? Why did you choose GW specifically?

I wanted to pursue a degree in publishing not only as an advantageous career move, but also because I have a genuine passion and interest in the field. As an avid reader, I have always wanted to work in publishing, and so I pursued a degree in the field. I firmly believe a degree in publishing will go a long way in securing one a position for an already highly sought-after job, not to mention that it will help tremendously with upward movement within the industry.

I chose George Washington University’s publishing program for several reasons, namely that their program simply looked the best. The curriculum was stacked with relevant and interesting-sounding courses, the instructors were all industry professionals, and best of all, the program was designed for “working adults,” which is what I was when applying. Plus, the program is at the George Washington University, a prestigious institution, and an affordable one at that.

Lastly, the staff and faculty while I was inquiring about the program were beyond helpful and informative; they were so patient and thoughtful in answering my many questions, phone calls, and emails. It was a level of care I had not received at other graduate programs, and it was something that really drew me to GW.

A highlight for us last year was having you present at our 12th GW Ethics in Publishing Conference—where you moderated the plenary with Kimberly Ayers Shariff, Executive Vice President, Strategy for Diversity Equity & Inclusion, Penguin Random House, and also presented your own capstone Ethics in Publishing project in a separate session! Can you tell us about the genesis and trajectory of your project, why you presented at the conference, and about your conference experience?

I took Randy Townsend’s Ethics in Publishing course in the Fall of my second year in the program. I wasn’t expecting to like it as much as I did; I thought it was an important and relevant class to take, but I didn’t realize how much I would gain or learn from it. I was really intrigued and impressed. One thing that stuck out to me was just how little diversity there was in publishing. I had a basic understanding that it was not as diverse as it could be, but I was a little surprised to find out just how overwhelmingly uniform the industry was. This homogeneity is reflected in both the publishing workforce and product output. This bothered me because as a big reader, I have always been able to see myself reflected in various stories, circumstances, and characters, and it saddened me that this was not the case for all readers. Or rather, that their portrayals in literature seemed limited, while mine seemed endless.

GW Ethics in Publishing Conference, with Tina Donnelly (l) and Kim Ayers Shariff (r, on video screen)
Tina Donnelly (l) and Kim Ayers Shariff (r, on screen) at the 12th GW Ethics in Publishing Conference

I was so drawn to this issue that I wanted to make it my capstone project for the course. Thus, I set out to make a case for why and how the industry can be more diverse, as well as a snapshot at its current demographics. The latter was the easy part; my own company, PRH, had just released their yearly diversity and inclusion report, and statistics for other companies were not difficult to find since this is an oft-discussed topic. The hard part came when I had to formulate my own ideas and suggestions for how to rectify the problem and move forward to a more diverse and representative publishing landscape. This is where Kim Shariff came in. Kim is the Executive Vice President, Strategy for Diversity Equity & Inclusion at PRH, and I had several conversations with her over what should be done, what is being done, and what further we can do to address this problem. Kim Shariff is an outstanding and insightful intellectual, as well as an experienced Diversity and Inclusion Officer, and she was able to give me some helpful ideas, tools, and attitudes towards tackling this issue. It is because of her guidance and advice that the presentation turned out so well, and I was proud to have her consult on it.

I wanted to present my findings at the Ethics in Publishing Conference namely because I am very passionate about this subject; it is close to my heart as a lifelong booklover who wants everyone to be able to indulge in the joys of reading. Additionally, Randy Townsend and John Warren both gave me some solid feedback on my initial capstone project, and I wanted to incorporate their suggestions to make it even stronger and more informative—more of a call-to-action, instead of mainly a passion project. I am happy to report that not only did I have the privilege of presenting my findings at the conference, but I also had the pleasure to moderate the plenary session with Kim Shariff, as well as get to see some other incredibly interesting and thought-provoking presentations from other GW alumni.

Equity in Action: From Corporate Initiatives to Team Practices (Plenary session of 12th GW Ethics in Publishing Conference)

What advice would you give to new or prospective students to the MPS in Publishing program?

The most important advice, in my opinion, is to study as broadly as you can and take classes outside of your normal interests. People move around in publishing a lot, and you never know what areas of study will come in handy later in one’s career. Also, another big piece of advice that seems basic but cannot be over-emphasized is to attend the online sessions. These are not technically required, but students will learn and gain so much more from the course if they attend the weekly online sessions. This is an opportunity to engage with other students, ask questions, clarify details of the week’s lesson and assignment, and bounce ideas of your classmates; one really goes so much farther if they can attend.

I chose GW’s publishing for several reasons, namely that their program simply looked the best. The curriculum was stacked with relevant and interesting-sounding courses, the instructors were all industry professionals, and best of all, the program was designed for “working adults,” which is what I was when applying. Plus, the program is at the George Washington University, a prestigious institution, and an affordable one at that.

What courses or professors had an impact on you during your time at GW?

Publishing Entrepreneurship with John Warren is exceedingly helpful for young publishing professionals. Even if you don’t plan to be an entrepreneur yourself, this course is great for understanding the basics of the business.

Copyright Law/Print & Cyberspace is an essential class for anyone who wants to work in publishing, no matter what area. Understanding the basic rules of copyright, trademark, and fair use is critical in any media field, and this course excellently teaches these concepts.

The Professional Editor is another course that anyone entering the publishing world should take. Even if one is not necessarily going into this department, this is an important course that covers not just editing, but also managing, proofing, team relations, and author interaction. If anyone wants to work with books or journals at all, this class is a must.

Production Management is a challenging course, but it goes without saying that this is a necessary course for anyone entering publishing. Having a basic understanding of the production process, even if one has nothing to do with the production side of things, is critical for understanding a book’s life cycle. Knowing this is vital because no matter what area of publishing one is in, production will affect them in one way or another, and it is best that one has a working knowledge of the process.

John Warren had a huge positive impact on my time at GW, not just as a professor but also as the program director. He was exceedingly helpful whenever I struggled and assisted me in navigating the program whenever I was uncertain how to proceed.

Dean Smith was also a major ally in my time at GW. As one of the first professors I had in the program, he helped prepare me for the rest of my education and gave me the confidence I needed to tackle my course load.

Both Josephine Sciortino and Rebecca Brenner were each such massive supports through their class, The Professional Editor. They each had so much wisdom and experience they shared in the course, not just about editing but also about how to successfully operate in all areas of publishing, as well as how to act as a true professional in the workplace. Their guidance and encouragement had such a positive impact on me in my last year of the program.

Greg Britton is another professor who is almost too good to be true. He is not only one of the kindest people I have ever met, but he is also an extraordinary talented professor and masterfully teaches his class on book acquisitions. His eagerness to connect with students and teach the material in a more interactive and collaborative fashion made such a difference in helping me to understand acquisitions more thoroughly, not to mention it made me much more interested in the topic.

The value of GW’s MPS in Publishing degree can truly not be overstated. The degree will not only bolster you as a candidate for publishing jobs, but it will also instill you with a sense of ease and confidence in navigating the field; one has, after all, mastered it. Personally, I have newfound respect (and responsibilities) at my own workplace because my team feels I can handle more, and they are correct.

Gatekeeping and Trade Publishing, Devyn Yan Radke, Tina Donnelly (12th GW Ethics in Publishing Conference)

What have you found to be the value of the MPS in Publishing degree, and how are you using what you learned, as a rising publishing professional? 

It is unarguable that the value of GW’s MPS in Publishing degree can truly not be overstated. The degree will not only bolster you as a candidate for publishing jobs, but it will also instill you with a sense of ease and confidence in navigating the field; one has, after all, mastered it. Personally, I have newfound respect (and responsibilities) at my own workplace because my team feels I can handle more, and they are correct. I feel surer in myself as an employee and my own capabilities. The degree itself does a lot to impress one’s superiors too; just having it shows not only that you have a strong sense of how the business operates, but also that you cared enough to pursue higher education for your career, both of which go a long way in highlighting you as a dedicated professional.

Can you provide any other tips that might be helpful for prospective students?

Take as many electives as you can manage, and try to study things that are outside your comfort zone; you’ll be surprised at how much you may enjoy them. Business and entrepreneurial classes will teach you a lot about publishing on the ground level. Furthermore, take advantage of things like online sessions, office hours, Publishing Career Builders, and any conferences that you can attend. These are all great opportunities at GW to not only network but also sharpen your skills to prepare for the publishing landscape.

12th GW Ethics in Publishing Conference

Registration is open for the 12th GW Ethics in Publishing Conference. You can find the conference schedule below.

The 12th GW Ethics in Publishing Conference, with the theme of Ethics in Action, will be held Friday, October 14th, 2022, 9:00 am to 5:15 pm EST, in a hybrid format, with in-person and online presenters and attendees.

Registration is free of charge, both in-person and virtual.

We are fortunate to have a wonderful lineup of speakers and topics on the theme of Ethics in Action, on topics such as diversity, equity, inclusion, and accessibility, gatekeeping in publishing, representation, open access, mentorship, and more. Our plenary will feature Kimberly Ayers Shariff, Executive Vice President, Director of Strategy for Diversity Equity & Inclusion, Penguin Random House, in conversation with Tina Donnelly, recent graduate of the MPS in Publishing program. Members of the Association of University Presses, Society of Scholarly Publishing, Library Publishing Coalition, and Association of American Publishers, as well as students and alumni of both the MPS in Publishing at GW and the MA in Book Publishing at Portland State University are among our presenters. We hope to see you there.

Please RSVP for the in-person event only if you plan to attend in-person in Washington, DC.; seating is limited and we will form a waiting list after 80 RSVPs.

In-person conference location:

National Churchill Leadership Center
Gelman Library, George Washington University

Free of charge

RSVP In-Person Event

RSVP Virtual Conference

Courtyard in Fall at GW Campus
Fall on the GW Campus

Schedule subject to change; all times listed EST

FRIDAY, OCTOBER 14, 2022 | 9:00 am – 5:15 pm

9:15 am – Welcome and Opening Remarks

Puja Telikicherla, Licensing and Subsidiary Rights Manager, American Psychiatric Association

John W. Warren, Director and Associate Professor, Publishing, George Washington University

9:15 am – Plenary

Equity in Action: From Corporate Initiatives to Team Practices

Kimberly Ayers Shariff, Executive Vice President, Strategy for Diversity Equity & Inclusion, Penguin Random House

Moderator: Tina Donnelly, MPS, Managing Editorial Assistant, Penguin Random House

10:15 am – Representation and Editorial Boards

Building an Open Editorial Board

Anand Balasubramani, Journal Development Editor, American Society for Microbiology

Adrianna Borgia, Managing Editor, American Society for Microbiology

Not Checking a Box: Establishing DEI as a Foundation of the American Urological Association’s Flagship Journal

Jennifer Regala, Director of Publications/Executive Editor, American Urological Association

11:00 am – Access and Open Monographs

A “Third Way” to Sustainable Open Access Publishing

John Sherer, Director, University of North Carolina Press

Sharla Lair, Senior Strategist, Open Access and Scholarly Communication Initiatives, LYRASIS

Rebecce Seger, Vice President, Institutional Participation and Strategic Partnerships, ITHAKA

Lisa Croucher, Executive Director of the Triangle Research Libraries Network (TRLN)

11:50 am-12:50 pm – Lunch Break

12:50 pm – Afternoon Welcome/Remarks

Liesl Riddle, PhD, Dean, College of Professional Studies, George Washington University

1:00 pm – Action in Accessibility

An Intersectional look at Disability in the U.S. Publishing Industry Workplace 

Rachel Done Cubillas, MA (expected June 2023) Book Publishing, Portland State University

Publishing Accessibility Support Systems

Isabella Greene, MPS (expected June 2023), Project Manager, Pubvendo

Accessibility and the Idea of Belonging

John G. Samuel, Co-Founder and CEO, Ablr

2:15 pm – Gatekeeping and DEIA

Ethical Mentorship: Bringing Early-Career to the Table (Paths in Publishing)

Rachael Levay, Editor-in-Chief, University Press of Colorado

Allegra Martschenko, Acquisitions Editor, University Press of Colorado

Brian Halley, Executive Editor, University of Massachusetts Press

Taking Action to Interrupt Racism in the Scholarly Publishing Industry (C4DISC)

Alejandra Mejía, Assistant Acquisitions Editor, Duke University Press 

Martha A. Anderson, Director of Diversity, Equity, and Inclusion, and Head of Digital Services, University of Arkansas at Fayetteville Libraries

3:15 pm – Peer Review and Preservation

Reducing Bias in Peer Review Through Automated Authorship Checks

Cynthia Hudson Vitale, Director, Scholars & Scholarship, Association of Research Libraries; Co-Founder, Ripeta

Journal Preservation: What Should be Included?

Johanna Meetz, Publishing and Repository Services Librarian, Ohio State University 

4:15 pm – Gatekeeping and Trade Publishing

Gatekeeping in Publishing 

Tina Donnelly, MPS, Managing Editorial Assistant, Penguin Random House

Systemic Barriers That Exclude BIPOC Authors From Literary Awards and the Proposed Solutions to Evoke Change

Devyn Yan Radke, MA, Communications Manager, WildBlue Press

5:00 pm – Closing Remarks

HOSTED BY:

Master of Professional Studies in Publishing program at the George Washington University

SPONSORED BY:


  GW Ethics in Publishing Conference 2021 image

CONFERENCE CO-ORGANIZERS:

See also the Call for Papers for the GW Journal of Ethics in Publishing.

GW Ethics in Publishing Conference: Full Schedule

The GW Ethics in Publishing conference, hosted by the Master of Professional Studies in Publishing program, College of Professional Studies, George Washington University, will be presented this year as a virtual conference. Originally scheduled as an in-person conference on April 23, 2020, the conference was postponed due to the COVID-19 pandemic.

Registration is free; RSVP here.

The theme of this year’s conference is Equity, Inclusion, and Accessibility.

Topics include equity, inclusion, diversity, accessibility, sustainability, peer review, and other issues of ethics in publishing.

Hosted By:
Master of Professional Studies in Publishing program at the George Washington University.

Co-Sponsors:

  • The Association of University Presses (AUPresses)
  • The Society for Scholarly Publishing (SSP)
  • The Association of American Publishers

Cost: Free

Location: Virtual

Below is the full schedule for the three-day conference, with speakers, topics, and bios. (Subject to change.)

Wednesday, October 28, 2020 | 1:00-4:30 p.m. ET

1:00-1:15        Welcome

John W. Warren, Director and Associate Professor, Masters of Professional Studies in Publishing, George Washington University

1:15-2:15    Opening Plenaries

The Ethical Imperative of the University Press

Peter Berkery, Executive Director, Association of University Presses

Developing a Culture of Dignity at Johns Hopkins University Press

Barbara Kline Pope, Director, Johns Hopkins University Press

Peter Berkery has been Executive Director of the Association of University Presses (AUPresses) since early 2013. Berkery comes to AAUP from Oxford University Press, where he served for the previous five years as Vice President and Publisher for the US Law Division. Prior to that he worked for Wolters Kluwer, and began his publishing career at a division of Thomson Reuters. Berkery has been Director of Government Affairs for the National Society of Accountants and Government Relations Counsel for the National Paint and Coatings Association, and has served as Assistant Executive Director and Staff Counsel for a division of the American Trucking Associations. He has served on the Board of Directors of the Accreditation Counsel for Accountancy and Taxation, and as its President. Berkery has a BA in Classical Studies from Boston College, and both an MA and a JD from The American University, as well as a Master of Laws in Taxation from George Washington University. He has been admitted to practice in Maryland, the District of Columbia, Hawaii, and the United States Tax Court. 

Barbara Kline Pope is Director of the Johns Hopkins University Press, the nation’s oldest academic press. Previously, she was Executive Director of the National Academies Press, steering its traditional print model through an era of digital innovation, including pioneering experiments with open access. She first joined the Washington, D.C., press—the publishing division of the National Academies of Sciences, Engineering, and Medicine—in a marketing role in 1983. She has served as President and member of the Board of Directors of the Association of University Presses (AUPresses) and served on the management board of the MIT Press. She earned her bachelor’s degree from the Indiana University of Pennsylvania and her master’s from the University of Maryland.

2:15-3:00    Ethics in Peer Review during COVID-19 

Cheryl Johnson, Publishing Editor, Journals Department, American Psychological Association (APA)

Lois Jones, Peer Review Manager, Journals Department, American Psychological Association (APA)

Jenna Miley, Peer Review Coordinator, Journals Department, American Psychological Association (APA)

This discussion will focus on what the APA Peer Review team had been working on prior to COVID-19, their subsequent adaptation to a large increase in submissions, and the introduction of rapid reviews while still ensuring an ethical peer review process. Additionally, the speakers will highlight some of the Journal team’s contributions to creating ED&I framework and providing guidance for more diverse and equitable Editor searches and Editorial Boards.

Cheryl Johnson is Publishing Editor for the Journals Department at American Psychological Association (APA), where she serves as project manager for departmental initiatives and oversees a portfolio of APA Journals. Previously, Cheryl has worked as a Peer Review Coordinator at APA for nearly 3 years and has experience working in production at the Water Environment Federation and digital marketing at the National Sleep Foundation. Cheryl holds an MPS in Publishing from GWU. 

Lois Jones is Peer Review Manager for the Journals Department at American Psychological Association (APA), where she co-manages the Peer Review program, which includes 90 journals and 23 Peer Review Coordinators. Lois is focused on ensuring a transparent and ethical peer review process for authors, while providing reviewers and editors with exceptional support in the constantly changing landscape of scholarly publishing. She holds an MPS in Publishing from GWU. 

Jenna Miley is currently a Peer Review Coordinator with the Journals Department at American Psychological Association (APA), where she works with the flagship journal, American Psychologist. Previously, Jenna interned in foreign rights at 2 Seas Agency and Groupe de la Martinière in France, and at APA’s children’s book imprint, Magination Press. She holds a MPS in Publishing from GWU and volunteers as a mentor and the Secretary of the Board of Directors for Space of Her Own, Inc. 

3:15-3:45    Author Harassment 

Randy Townsend, Director, Publications Operations, American Geophysical Union 

Randy Townsend, MPS, has worked for the American Geophysical Union for more than 14 years. His career focuses on the execution of the Publications Department’s strategic goals, and the performance and development of an expanding portfolio of scholarly journals, requiring oversight of peer review operations and content integrity. He has been a leader in policy implementation and manages allegations of misconduct and ethical violations. Randy served as a judge for the EXCEL Awards and is on the Advisory Board for the Association Media & Publishing. He is a member of the Council of Science Editors, the International Society of Managing and Technical Editor’s (ISMTE) Programming Committee and serves as Co-Chair on the Society of Scholarly Publishing’s Diversity, Equity and Inclusion Committee. Pronouns: He, Him, His ORCID: 0000-0001-7001-5505

3:45-4:30    Publishing and Inclusive Language

Beth M. Bouloukos, Director of the Amherst College Press and Lever Press

Elizabeth Crowley Webber (pictured), Senior Production Editor at Georgetown University Press

Ana Jimenez-Moreno, Acquisitions Editor at The Ohio State University Press

Publishers see it as best practice to hold authors to inclusive language practices, but are often lacking self-awareness in their own language related to the editorial process. This short introduction to the topic will urge publishers to be more reflective about how to decolonize internal practices. We will discuss topics ranging from how we often gender (or misgender!) authors before we know how they themselves identify, standardize English dialects to US English, and use ableist language. We’ll also talk about the opportunities inclusivity presents, like promoting reparative language, designing more creative book covers, and strengthening an author’s credibility with readers. Speakers will offer a few case studies from their own editing experience and ask attendees to similarly discuss their own questions on the topic.


Thursday, October 29, 2020 | 1:00-4:30 p.m. ET

1:00-1:15    Welcome and Opening Remarks

Puja Telikicherla, Licensing and Subsidiary Rights Manager, American Psychiatric Association Publishing; Adjunct Professor, Masters of Professional Studies in Publishing, George Washington University 

1:15-2:15    Antiracism Toolkit for Allies: Steps, Springboards, and Sparks

Niccole Leilanionapae‘aina Coggins, Editorial, Design, and Production Coordinator and Assistant Project Editor, University of Virginia Press

Margaret Fraiser, Director of Diversity and Inclusion, American Geophysical Union

Randy Townsend, Director, Publications Operations, American Geophysical Union (facilitator)

In an industry that is 79% to 91% white, depending on department, there are structures in place that have created this status quo. It will be critical for white colleagues to become allies to disrupt and dismantle the status quo. With the help of over 50 volunteers from within scholarly publishing, “Antiracism Toolkit for Allies” went live in August with five steps for becoming an ally, along with other resources. The speakers in this session will present the steps, examples from within scholarly publishing and outside to springboard and spark action.

Niccole Leilanionapae‘aina Coggins (she, her, hers) is the editorial, design and production coordinator and assistant project editor for the University of Virginia Press. Before UVA, she was a Mellon University Press Diversity Fellow at the University of Washington Press where she combined her lifelong interests in racial identity and indigenous sovereignty working on books in Asian American and Indigenous studies, and American and environmental history. She is a PhD candidate in history at the University of California Santa Barbara.

Margaret Fraiser (she/her/hers), PhD, joined the American Geophysical Union in April 2020 as Director of Diversity and Inclusion. Margaret served as a program director in the National Science Foundation (NSF)’s Directorate for Geosciences. She helped execute NSF programs focused on advancing scientific knowledge and developing an inclusive STEM workforce. Prior to her rotation at NSF, Margaret was an associate professor and undergraduate faculty advisor at the University of Wisconsin-Milwaukee. She has served as an associate editor and editor-in-chief of international, peer-reviewed scientific journals. Margaret received a BS in geology from the University of Georgia and an MS and PhD in geological sciences from the University of Southern California.

Randy Townsend (He, Him, His), MPS, has worked for the American Geophysical Union for more than 14 years. His career focuses on the execution of the Publications Department’s strategic goals, and the performance and development of an expanding portfolio of scholarly journals, requiring oversight of peer review operations and content integrity. He has been a leader in policy implementation and manages allegations of misconduct and ethical violations. Randy served as a judge for the EXCEL Awards and is on the Advisory Board for the Association Media & Publishing. He is a member of the Council of Science Editors, the International Society of Managing and Technical Editor’s (ISMTE) Programming Committee and serves as Co-Chair on the Society of Scholarly Publishing’s Diversity, Equity, and Inclusion Committee.

2:15-2:55    Developing the App: Indigenous Guide to DC

Dr. Elizabeth Rule, Director, AT&T Center for Indigenous Politics and Policy, George Washington University

In this talk, Director of the AT&T Center for Indigenous Politics and Policy at George Washington University, Dr. Elizabeth Rule (Chickasaw Nation), will discuss historical and contemporary Indigenous presence in Washington, DC, and will showcase the new iOS mobile application, the Guide to Indigenous DC.

Elizabeth Rule, PhD is the Director of the AT&T Center for Indigenous Politics and Policy, Academic Director of the Semester in Washington Politics Program, and Faculty in Residence at the George Washington University. Her work has been published in American Quarterly (“Seals, Selfies, and the Settler State: Indigenous Motherhood and Gendered Violence in Canada,” December 2018) and the American Indian Culture and Research Journal (“The Chickasaw Press: A Source of Power and Pride,” Fall 2018), and her research, including the “Guide to Indigenous DC” mobile application, has been featured in the Washington Post, Matter of Fact with Soledad O’Brien, The Atlantic, and NPR. Her book manuscript, Reproducing Resistance: Gendered Violence and Indigenous Nationhood, explores the intersection of Native American/First Nations women’s reproductive justice issues, gendered violence, and the Missing and Murdered Indigenous Women. Rule has received support from Holisso: The Center for the Study of Chickasaw History and Culture, the American Indian College Fund, and the Andrew W. Mellon Foundation. Before coming to DC, she was a Visiting Scholar in Anthropology at the Massachusetts Institute of Technology, and a Ford Foundation Dissertation Fellow. Rule received her Ph.D. and M.A. in American Studies from Brown University, and her B.A. from Yale University. She is an enrolled citizen of the “unconquered and unconquerable” Chickasaw Nation.

3:00-3:20    Open Educational Resources

Christopher J. Harris, Jr., MPS, Communications Instructor, Thomas Nelson Community College

This session explores the ethical issues involved in higher education textbook publishing. Beginning with an examination of the rising costs of college textbooks, we will then turn to the ways college bookstores and textbook publishers are making college textbooks more affordable to students. The presentation will then focus on the emergence of open educational resources (OERs) and show the impact they are having on the college textbook market, concluding by examining whether OERs present the best possible solution for solving the problem of rising textbook costs.

Mr. Christopher J. Harris, Jr. is a 2020 graduate of the Master of Professional Studies (MPS) in Publishing program at The George Washington University. Additionally, Mr. Harris earned his Master of Arts degree in Communication from Spring Arbor University in 2012 and his Bachelor of Arts in Communication Studies from Bridgewater College in 2004. Mr. Harris is currently an adjunct instructor in the Communication Studies and Theater department at Thomas Nelson Community College. At Thomas Nelson, he currently teaches several sections of Principles of Public Speaking and Interpersonal Communication. In addition to teaching, Mr. Harris serves on several college committees.

3:30-4:15    Born Accessible: The Past, Present and Future of Accessibility in Publishing 

Bill Kasdorf, Principal, Kasdorf and Associates

Accessibility used to be a significant challenge for publishers–not to mention for those who need accessible publications. Accessible publications were special formats, requiring expertise most publishers and vendors lacked, and were often created long after initial publication, by specialists, at significant extra cost. This was especially problematic for print disabled students, who often waited weeks into a semester to have access to materials their classmates had from the start. But increasingly, this is no longer the case. Today’s accessibility standards have come to align with web standards that are widely known, and accessible publications use formats–especially EPUB–that are commonly produced. Most publishers don’t realize how close they are to making their publications accessible, based on standards like HTML and EPUB that their vendors produce routinely. We are making significant progress toward the broad creation of “born accessible” publications, whose editorial and production workflows are designed to make them accessible from the start. In the future–and in some few cases today–people who need accessible publications will be able to obtain the same publications everybody does, at the same time and at no extra cost. This session will describe these developments and provide a wealth of resources to help publishers make their publications Born Accessible.

Bill Kasdorf, kasdorf.bill@gmail.com, is Principal of Kasdorf & Associates, LLC, a consultancy focusing on editorial and production workflows, XML/HTML/EPUB modeling, information infrastructure, standards and best practices alignment, and accessibility. He is a founding partner of Publishing Technology Partners. Bill is active in the W3C (as the W3C Global Publishing Evangelist and serving on the Publishing Working Group, Publishing Business Group, and the EPUB 3 Community Group) and co-chairs NISO’s Video & Audio Metadata Guidelines Working Group. He is Past President of the Society for Scholarly Publishing (SSP). He is a member of the Book Industry Study Group (BISG), serving on BISG’s Workflow Committee, the International Press Telecommunications Council (IPTC), and the DAISY Consortium for accessibility. He is the recipient of the SSP Distinguished Service Award, the BISG Industry Champion Award, and the IDEAlliance/DEER Luminaire Award. Bill has written and spoken widely on publishing technology and workflows and accessibility. He is general editor of The Columbia Guide to Digital Publishing and co-editor of the BISG Guide to Accessible Publishing, and serves on the editorial board of Learned Publishing, having guest edited the January 2019 issue devoted to accessibility. In his consulting practice, he has served large international publishers such as Pearson, Cengage, Wolters Kluwer, Kaplan, and Sage; scholarly presses and societies such as NEJM, the National Academies Press, Harvard, MIT, Toronto, Taylor & Francis, Cambridge, IEEE, the American College of Physicians, and the Cochrane Library; aggregators such as VitalSource; and global publishing and library organizations such as the World Bank, the British Library, the Asian Development Bank, OCLC, ORCID, and the Publishing Office of the European Union.


Friday, October 30, 2020 | 1:00-4:30 p.m. ET

1:00-1:15    Welcome and Opening Remarks

Randy Townsend, Director, Publications Operations, American Geophysical Union

1:15-2:00    Millenials and Manipulation

Josephine E. Sciortino, Managing Editor, Canadian Science Publishing

Yael Fitzpatrick, Consulting Art Director and Brand Manager, Gazelle Design Consultancy

Authors say they understand the basic principles of publishing ethically and with the many available resources (i.e., COPE, ICMJE), this is a likely assumption. However, the increasing number of retractions indicate the lack of practical knowledge of publishing ethics. How does this knowledge gap apply to millennials, a growing author demographic? Is the knowledge gap different between them and the older generation? Millennials tend to be values-driven, and this should create a more ethical publishing landscape. This presentation will demonstrate the different knowledge gaps among millennials, and outline their knowledge strengths. This data should inform how editors and publishers approach this group of authors. How can editors help this demographic learn and apply ethical principles in their publishing activities?

This second part of this presentation focuses on image/video manipulation, and the importance of considering not only the mechanical details of the manipulation, but also the underlying intent.

Josephine Sciortino is Managing Editor at Canadian Science Publishing, the largest nonprofit journal publisher in Canada, where she manages a team of scientific publishing and production editors for eight scientific journals. She has worked in scholarly publishing for over 20 years with various biomedical societies in the management of their specialty journals, including the Canadian Urological Association Journal and the Canadian Medical Association Journal. 

Yael Fitzpatrick is an art director, publications designer, writer, and science communicator. Having previously served as Art Director for the Science family of journals and Manager of Design and Branding for the American Geophysical Union, Yael now runs Gazelle Design Consultancy, providing art direction, design, and brand expertise to the scholarly community.

2:15-3:00    Ethics and Unethical Behavior

Erin Price, Senior Writer and Editor, Curie Learning

Danielle Galian, Editor, Galian Omnimedia

Companies often rely on unethical web writing practices, such as spreading false information and creating misleading titles, to obtain the elusive top page rankings on Google. What these companies don’t realize is that, due to Google’s updated algorithms, ethical web writing can actually attract readers and lead to reader retention. I explore why web writing has gone so wrong, and what can be done to restore a company’s web writing ethics while maintaining a strong readership.

The second part of this presentation explores the past and current state of “advertorials” within magazine/journal publishing and the role artificial intelligence technology can play in aiding the reader to fully comprehend its influence. 

Erin Price is the English Program Director for Curie Learning, a K–12 education company, where she develops curriculum for advanced English courses. She has a bachelor’s degree in English with a minor in editing from Brigham Young University and graduated this spring with a master’s in Publishing from the George Washington University. Erin previously worked as a senior web writer and editor for an SEO marketing company. She has also worked for various magazines and journals. Her experiences as a writer and editor have led to her passion for ethics in writing and publishing. She grew up in Seattle, Washington, and she and her husband have lived in Virginia for five years. (Photo credit Sami Kunz Photography)

Danielle Galian is a multimedia journalist and editor of a health and wellness magazine based in Evanston, Illinois. A Chicago native, Danielle has written for a variety of publications and before joining her current post, she was the editor-in-chief of a monthly trade journal covering the PVF and HVAC industries. Danielle has covered the trade industry from a variety of positions and roles all within the magazine publishing format. Her primary interests include technological advances for storytelling and the future of artificial intelligence within the global publishing industry. She received her BA in broadcast journalism from Loyola University Chicago and is currently working on her Master’s degree in publishing from the School of Professional Studies at the George Washington University.

3:15-4:00    Closing Plenary: The Recommended List: Ten Notes I’ve Learned from Diversity & Inclusion Efforts So Far

Introduction by M. Luisa Simpson, Senior Vice President, Global Policy, Association of American Publishers

Elda Rotor, VP and Publisher, Penguin Classics, Penguin Random House

Elda Rotor is Vice President and Publisher for Penguin Classics. She oversees the U.S. editorial program including the works of John Steinbeck, Arthur Miller, Shirley Jackson, William Golding, Amy Tan, Alice Walker, and the Pelican Shakespeare series. She has created and edited several series including the new Penguin Vitae hardcover series, and the forthcoming Penguin Liberty series about constitutional rights. She has led the Penguin Publishing Group Diversity Committee and is a member of the Penguin Random House Diversity & Inclusion Council. Elda is a board member for the Academy of American Poets and Kundiman, a national organization dedicated to Asian American creative writing.


4:00    Conference concludes – networking opportunity

Call for Papers – GW Journal of Ethics in Publishing

The George Washington University Master of Professional Studies in Publishing program is soliciting papers for the Journal of Ethics in Publishing (GWJEP), a new, open access journal. The GW Journal of Ethics in Publishing welcomes articles, case studies, and conference presentations from scholars, students, and publishing professionals on topics including, but not limited to, diversity and inclusion, accessibility, peer review, open access, sustainability, publishing metrics, equity, and other aspects and issues of ethics in publishing. This online journal will be managed by students in the GW Publishing program. We envision publication of GWJEP  commencing in Fall 2020.

We are soliciting papers from publishing and library professionals, scholars, faculty, and publishing students, on topic areas such as:

  • Ways to ensure publishing is inclusive: in all its dimensions
  • Making sure diverse voices are part of the conversation about inclusion, equity, and accessibility
  • Work to ensure peer review, authorship, editing, publications metrics, etc., are equitable and free of bias
  • Can equitable, inclusive, and accessible publishing become a reality instead of a goal?
  • Institutional efforts to increase diversity, for example, within the Association of University Press (AUPresses), Society for Scholarly Publishing (SSP), and other publishing institutions.
  • Financial equity and sustainability, including institutional support, and access to research and publications, as ethical issues.
  • Accessibility as an ethical issue
  • How publishers can ensure publications are more accessible

Please share the Call for Papers, which is ongoing: https://docs.google.com/forms/d/15fgxqJqkAIH3KZI6PVyU5k2v868aybpxYfCTZLqhGYs/edit

Alumni of and current students in the GW Master of Professional Studies in Publishing program are invited to present on their Ethics in Publishing Capstone projects, including both “Making the World Better” projects and Case Studies.

Scholarly articles, case studies, and “Making the World Better” projects will generally be subject to peer review, unless invited. Peer review will generally comprise “Anonymous Reviewer/Anonymous Author” peer review (wherein neither the author nor the reviewer know each other’s identity), but the journal may also experiment, with authors’ permission, in open peer review and alternative forms of peer review. Papers from underrepresented voices are especially encouraged.

GWJEP is being launched in conjunction with the GW Ethics in Publishing Conference (postponed to Fall 2020). Conference presentations as well as papers based on previously-presented material are also encouraged.

The GW Journal of Ethics in Publishing will accept four main categories of articles:

  • Scholarly articles and case studies presenting research about ethical issues in publishing
  • “Making the World Better” articles and projects that explore ways of contributing to communities, including local, regional, or global publishing communities or other communities on aspects of publishing, literacy, and so on.
  • Reviews of books, websites, digital projects, and other web resources with a focus or considerable aspect of ethics in publishing.
  • Conference presentations

Each submission should include:

  • The e-mail address of the primary author as well as names and e-mail addresses of other contributing authors.
  • A narrative biography of each author, of no more than 125 words.
  • A short abstract of your article of no more than 300 words.
  • The URL of the author’s personal home page, project or university department.
  • Article or presentation (as an attachment). Articles of 6,000 – 7,000 words are recommended, but shorter articles will also be considered.

GWJEP uses The Chicago Manual of Style for footnotes and references. All links to reference sources, examples, etc., should be checked twice. Hyperlinks to articles or other references should also include date of last reference (i.e. Accessed December 21, 2019).

Innovative forms of scholarship, such as video or audio recordings, podcasts, or narratives, are also encouraged.

The GW Journal of Ethics in Publishing also requires that all published articles meet basic digital accessibility standards for visual resources. Papers accepted for publication that include images, charts, videos, or other visual assets must include alt-text (or long descriptions) for each visual asset, as well as appropriate captions. For more information on the basic principles of describing visual resources for accessibility in arts and humanities publications, please visit Describing Visual Resources.org.