Jay Soglo: GW Publishing Alumni Profile

Jay Soglo is Production Controller at Johns Hopkins University Press (JHUP) and an outstanding graduate of the Master of Professional Studies in Publishing program, College of Professional Studies, George Washington University. Starting as publishing operations assistant at JHUP after his second semester in the GW publishing program, he has already demonstrated leadership in the field, moderating a successful and dynamic session on accessibility at the Association of University Presses Annual Meeting, speaking at the GW Ethics in Publishing Conference, authoring a paper published in the GW Journal of Ethics in Publishing, and as a mentor to others in the field.

What was the most challenging aspect of the MPS in Publishing program? What was the most rewarding?

The most challenging aspect of the publishing program was the time-management element. Juggling a family with young children and a full-time job required an adjustment and some sacrifices – mainly my social life (temporarily).

Part way through your studies in the MPS in Publishing program, you were hired in the books production department at Johns Hopkins University Press, and within a year received a promotion. What was it like to be working in a press while completing your degree? Were you able to use assignments to inform your work or vice versa?

Working in a press while completing my degree was great. Not only was I learning publishing skills in the program, but many times they would come in handy immediately. For example, I started the production management course as I was promoted. Every lesson that semester was directly relevant to my job. The biggest advantage of working in publishing while in the MPS program was having the ability to ask a professional for advice for nearly every aspect of publishing.

Jay Soglo, MPS in Publishing graduate

What are some of the reasons you decided to pursue the MPS in Publishing degree? Why did you choose GW specifically?

During the pandemic lockdown, I decided to pursue my dream of joining the publishing industry. I had known that I wanted to pursue graduate studies for a while and wanted to commit to this career path by getting the education first. The GWU Publishing program is well-known and is the best program in my area (and probably the country)! Though I ultimately chose the online program, being in the Baltimore-DMV area also made it possible for me to attend events in person.

What advice would you give to new or prospective students to the MPS in Publishing program?

My advice to new students is to save any online resources that they might find interesting or useful. It’s easy to assume that they’ll remain available indefinitely, but they don’t. Get them while you can! Stay in touch with your professors and colleagues that you connect with. And take advantage of mentorship. If a professor suggests you do something specific, do it! They push us because they see our potential!

“All my professors were fantastic…. This program is one of the few where every professor is not just a good teacher, but a supportive and wonderful person.”

What course or what professor made the biggest impact on you during your time at GW?

All my professors were fantastic, but a special thanks to Dean Smith, whom I credit with helping me get my current job. Professor Randy Townsend‘s Ethics in Publishing capstone course really made me think about ways that I can impact the industry. Randy and Professor Tony Julian are both fabulous and excellent role models. Program Director John W. Warren has been an excellent mentor from the very beginning of my time in the program. This program is one of the few where every professor is not just a good teacher, but a supportive and wonderful person. There aren’t enough words to thank everyone!

Jay Soglo at GW Commencement '24, with wife Elana (l) and sister Denisia (r).
Jay Soglo at GW Commencement ’24, with wife Elana (l) and sister Denisia (r).

What have you found to be the value of the MPS in Publishing degree, and how are you using what you learned, as a rising publishing professional? 

For me, the value in the MPS in Publishing degree was the confidence that it gave me as a professional. Many of the skills I refined in the program were new to me, or I did not feel that they were my strongest skills. For example, public speaking wasn’t something I had much experience in, but now I regularly present in work meetings, and even spoke in front of hundreds in a few conferences!

During your Ethics in Publishing Capstone course, you researched the topic of book bans, a meaningful topic for you. You presented on the topic at our 13th Ethics in Publishing Conference in October 2023; and your article on book bans was published in Vol 3, Issue 1 of the GW Journal of Ethics in Publishing. Can you talk a bit about how this project developed from a course project to a conference presentation, and to a journal article? How has this project and the process of publication had an impact on you?

When I began the project in the summer of 2022, I wasn’t sure of the topic or angle that I wanted to take. Unfortunately, around this time there were several devastating mass shootings and other really bad things in the news. Knowing that people out there were espousing hateful views in their manifestos while books focused on antiracism and inclusivity were being banned really rubbed me the wrong way. I used that anxiety and righteous indignation to write the paper, which then evolved into a presentation because I still felt very strongly that people other than my professor and classmates should be exposed to that message. Despite that, more and more news articles about censorship and book bans were coming in regularly, and so I kept writing and researching until I had a journal article. Being on the other side of the publication process allowed me to see what it was like for the authors that we serve in this industry and gave me a more well-rounded view of scholarly publishing as a whole. I consider the publication of the article my way of pushing back on censorship and putting my voice out there – something I encourage anyone who is concerned about censorship to do as well. 

“The MPS in Publishing degree [gave me] confidence as a professional. Many of the skills I refined in the program were new to me, or I did not feel that they were my strongest skills. For example, public speaking wasn’t something I had much experience in, but now I regularly present in work meetings, and even spoke in front of hundreds in a few conferences!”

We are proud that at the Association of University Presses Annual Meeting 2023, you organized and moderated a panel on accessibility with an accessibility super-star lineup. Tell us a bit about your interest in accessibility, as well as presenting at a high-profile conference such as AUPresses Annual Meeting—where your panel attracted an audience of ~500, the largest attendance of the (virtual) annual meeting!

My interest in accessibility really came about because I have autistic family members, which includes my daughter. It’s important to me that everyone have access to literacy and technology without being restricted due to ability. Accessibility is really for everyone, not just people with disabilities, but that isn’t a fact that’s well-known. I came up with the idea when I was encouraged by my JHUP colleague and GW professor Greg Britton to submit a panel suggestion to AUPresses. I wasn’t expected to be chosen, but the conference committee showed a lot of interest in the topic as well. After initially scrambling to find speakers for the panel, I was really lucky to get some of the foremost experts in the field to speak on the panel – Bill Kasdorf, Will Awad, Michael Johnson, Madeline Rothberg, and Jonathan McGlone. They are all great people and really eloquent speakers. I wasn’t expecting so many people to show up, much less being the most highly anticipated panel of the conference that year! Now whenever I must speak on a panel or in front of a group, I’m not nervous anymore because I already spoke in front of hundreds, and it went great.

GW Journal of Ethics in Publishing, Vol 3 (cover)

Jay Soglo’s article, Banned But Not Beaten: Confronting Book Bans from a Utilitarian Perspective, was published in the GW Journal of Ethics in Publishing, Vol 3.

Alumni Profile: Tia Gracey

Tia Gracey is Associate Editor for Political Science Today at the American Political Science Association (APSA). An outstanding graduate of GW’s Master of Professional Studies in Publishing program (December 2023), she served valiantly as Managing Editor of our GW Journal of Ethics in Publishing, shepherding the second and third issue of the journal to publication. We are blessed with an abundance of talented students in the Graduate Program in Publishing at George Washington University, and we are especially pleased to share the insights of one of our stellar graduates in this alumni profile.

What was the most challenging aspect of the MPS in Publishing program? What was the most rewarding?

This might seem contradictory, but I think the most challenging aspect of the program was the most rewarding to me. There is so much to be involved with in the Publishing program, and it is something I definitely tried to take advantage of, so trying to find a balance between doing all that I could in the program—classes, the book club, the journal—and my own capabilities was challenging.

Tia Gracey- MPS in Publishing Graduate

During your time in the program, you have been instrumental in advancing the GW Journal of Ethics in Publishing, first as the E-Publishing Committee lead, and then as the journal’s Managing Editor. What led you to become involved in the journal, and especially, what led you to pursue the opportunity as Managing Editor? How has this experience had an impact on you?

I was first able to get involved with the journal simply by paying attention to the emails that [Program Director] John Warren sends out. Though they may be lengthy sometimes, there is so much information hidden within them that is vital for students. John had sent one out at the beginning of the Fall 2023 semester, and after being two semesters deep in the program, I felt that I finally had my feet under me. It was a new opportunity for me that would also help me gain the practical experience that I was missing. People who know me know that I put my all into everything once I set my mind on something, so I went into being the E-Publishing Committee Lead with a lot of ambition. I was constantly reaching out to Lois Jones, the Editor-in-Chief for the journal, about what more I could do or if there was anything else I could help with. This ambition was what helped me become a candidate for Managing Editor. I knew that quite a few of the leads were leaving the journal because their time in the program was up, and I had fully expected to just continue as E-Publishing Committee Lead. Imagine my surprise when Lois had reached out asking if I wanted to be Managing Editor. It didn’t take me much deliberation to decide that it was an opportunity I would be ecstatic to take. I’m still so honored to this day that Lois thought of me, because I was finally able to discover the path I wish to take in my publishing career.

Your dedication to the GW Journal of Ethics in Publishing has been inspiring. You led or helped lead efforts to publish two issues within a year, a much faster pace of what we had accomplished previously. I loved how you even thought to create charms for GWJEP for graduation! What advice do you have for new students who might consider getting involved in the journal?

GWJEP - commencement charm

For any new students that are considering joining a GWJEP committee, I would simply say do it if you can. The journal runs on the students’ ambitions and efforts. Without it, no issues would ever be published. If you wish to learn practical publishing skills and can manage your time well enough to gift some to the journal, then I would say put your best foot forward and go for it!

I would also say to keep an open mind. Many students go into the journal wishing to be on the Editorial Committee, and I can completely understand why they do. The Editorial Committee, however, is not the only committee that makes the journal run. If you have your heart set on one committee, though, make sure to let the Editor-in-Chief and the Managing Editor know so they can do their best to fit you in there.

In your second year of the program, you were hired at the American Political Science Association (APSA) as Associate Editor. What are some of the skills and experience you learned in the MPS in Publishing program that you have been able to apply to your job at APSA

Quite a lot of my skills I’ve learned from the classes in the program, particularly E-Publishing Tools, which taught me Adobe InDesign, and Book Design, which taught me about printing needs and requirements. My past jobs have helped me learn website management, and the rest of my job is very administrative. Another big reason that I was able to get hired was because of my role as E-Publishing Committee Lead for the GW journal. If I not been committee lead or included that role in my resume, I’m not sure that I would have gotten as far as I have. I owe my current role to both the program and the journal.

“For any new students that are considering joining a GWJEP committee, I would simply say do it if you can. The journal runs on the students’ ambitions and efforts.”

What advice would you give to new or prospective students to the MPS in Publishing program?

GW Journal of Ethics in Publishing, Vol 3, Issue 1

I would recommend that students pay attention to the opportunities they are given. Sometimes they might be hard to see, but pay attention to the emails and your classes. Attend the Publishing CareerBuilders, go to information sessions, meet as many people as you can. You have the opportunity to submit the papers from your capstone to the journal, which would get you published. You can be a part of the journal, a part of the book club and make quite a lot of connections there, you can also find some opportunities from the Society of Scholarly Publishing. Once you start looking for these kinds of opportunities, so many will start popping up around you. Just make sure you have the bandwidth to be able to handle them.

Prior to your Publishing degree, you completed a Master in Liberal Arts at McDaniel College. What are some of the reasons you decided to pursue the MPS in Publishing degree? Why did you choose GW’s program specifically?

Even during the MLA program at McDaniel, I knew that I wanted to get another degree, I just wasn’t sure in what. I have always loved books and writing, all the way back to elementary school. Originally, I thought that I wanted to be an author because I loved writing and the art that I was able to create. I quickly figured out this wasn’t the case while I was writing my thesis for the completion of my degree. While I love writing, and I think I always will, I discovered that I would rather help other people create beautiful works of art rather than forcing myself to do it. It was exhausting. I would rather enjoy writing when I want to instead of forcing myself to do it as a career.

“I would recommend that students pay attention to the opportunities they are given… Attend the Publishing CareerBuilders, go to information sessions, meet as many people as you can. You have the opportunity to submit the papers from your capstone to the journal, which would get you published. You can be a part of the journal, a part of the book club and make quite a lot of connections there, you can also find some opportunities from the Society of Scholarly Publishing.”

What course or what professor made the biggest impact on you during your time at GW?

Tony Julien is to whom I accredit quite a lot of my successes. Through his classes, E-Publishing Tools and E-Publishing Technologies, I have not only learned how to use 2 different Adobe Programs, but I also have more confidence in exploring Adobe programs in general. He influenced me to apply to be a part of the E-Publishing committee, even though I didn’t have any background or knowledge. His willingness to help students learn put me at ease and helped tremendously when I was doubting myself during his classes. My journey through the journal and into the publishing field was directly impacted by his teachings and the energy he puts into teaching. Though difficult, his classes were worth it, and I learned invaluable skills from him during my time in the program.

What have you found to be the value of the MPS in Publishing degree, and how are you using what you learned, as a rising publishing professional? 

I remember towards the beginning of my time in the program, I had attended a few Publishing CareerBuilders and one thing that I constantly heard from publishing professionals was that “It wasn’t what you did, it was who you know.” At that time, I didn’t fully understand. Did that mean that my accomplishments and efforts didn’t mean as much? Would I only be able to break through by getting my name out there? How do I get my name out there if I can’t break through? Since getting my foot through the publishing industry door, I can honestly say that one of the biggest pieces of value of the MPS program is who you know. The publishing industry is a lot smaller than you think it is. By taking advantage of the opportunities that the program offers, I was able to start making more connections one by one, and not just connections with my fellow students. All the professors are publishing professionals, the publishing book club members are not just limited to GW students, and authors outside of GW submit to the journal as well. There are plenty of opportunities that GW provides to meet and learn from people outside of GW that, once I started taking advantage of these opportunities, I was finally able to make some headway in forging my path through the publishing industry.

“Although it may be tiring at times, and life can get in the way, try and be as active in the community as you can. It will help so much in the long-run and can even be helpful in the short-run.”

For your Ethics in Publishing Capstone project, you researched ethical issues surrounding Chat GPT and publishing, and you presented your research at the 13th GW Ethics in Publishing Conference. What was it like to present at this conference, and do you plan to continue your research in this area, perhaps as a journal article?

This was my first time ever presenting at a conference. I won’t lie, I was nervous, and it was a little nerve-wracking. Publishing professionals from all over the world were going to attend this conference. What right did I have to present my purely theoretical capstone in front of 500+ people when I hadn’t even broken into the publishing world yet? [Ethics in Publishing professor] Randy Townsend always encourages his students to submit to the journal and to present at the Ethics in Publishing Conference, and since I had chosen to do a presentation and not a paper, it would have made sense for me to present at the conference, but I was doubtful of myself and my own capstone. It wasn’t until Randy had reached out to me to invite me to present with the other students that I realized, if Randy, who is a publishing professional and educator in the ethics of publishing, enjoyed my presentation and wanted me to present my theories, then why should I continue to doubt myself?

Tia Gracey, MPS

When it came time to present my capstone, I was still nervous, but less so with my new-found confidence. For the people who know me, it is obvious that I can talk for hours about something I am passionate about, and that transfers well even over a screen. I just had to remind myself that once I got into my presentation, I would be fine. I simply needed to make it past my introduction, and then I could get into the meat of it. Funnily enough, my family and friends who watched me told me that I forgot to introduce myself. I guess I was just too excited and nervous to wait.

I’m not sure if I want to turn my presentation into a paper, since most of it was theory. It’s also due to the subject, as the ethics of AI and ChatGPT are constantly evolving day to day. I have discussed with Lois Jones, the Editor-in-Chief of the GW journal, the possibility of writing an article on the ethics of mental health illnesses, specifically ones that include vivid hallucinations, and their representation in video game publishing. Now that I am finished with the journal, I might have time to do this!

Can you share some of the articles or publications that you have written or published?

The two issues published by the GW Journal of Ethics in Publishing are ones I am particularly proud of, as I was able to prove to myself that I can lead a team composed of different committees and that striving to be a Managing Editor is the right direction for me. Those two issues can be found here:

GW Journal of Ethics in Publishing, Volume 2 – Issue 1

GW Journal of Ethics in Publishing, Volume 3 – Issue 1

I would also like to include the magazines that I’ve been able to successfully publish at my job as Associate Editor of APSA, where I have successfully printed and electronically published 3 issues of the quarterly membership magazine:

Political Science Today, Volume 3 – Issue 4

Political Science Today, Volume 4 – Issue 1

Political Science Today, Volume 4 – Issue 2

Finally, I would like to include the video and slides for my capstone.

Thank you, Tia!

14th GW Ethics in Publishing Conference

Schedule and Program for the 2024 Conference—Registration is free of charge.

Join us for 14th GW Ethics in Publishing Conference, which will be held as a hybrid conference on Thursday, October 10th, 9:00 am – 5:00 pm ET (in person and virtual) and Friday, October 11, 11:00 am – 4:00 pm ET (virtual only).

We are expecting 500 attendees, including ~100 in person attendees, and 21 presentations from ~40 publishing and library professionals and students from Mexico, Colombia, UK, and the United States.

The Full Schedule is now available—see the abbreviated schedule below.

Registration for the GW Ethics in PublishingConference is free of charge.

RSVP for in-person or virtual attendance.

Organized and hosted by the George Washington University Graduate Program in Publishing, College of Professional Studies, in collaboration with the GW Journal of Ethics in Publishing.

Conference sponsors:
Association of American Publishers (AAP)
Association of University Presses (AUPresses)
Book Industry Study Group (BISG)
Council of Science Editors (CSE)
International Society of Managing and Technical Editors (ISMTE)
Society for Scholarly Publishing (SSP)

Additional sponsorship from Scholastica.

The GW Ethics in Publishing Conference is organized by Puja Telikicherla, Licensing & Subsidiary Rights Manager, American Psychiatric Association Publishing, and Adjunct Professor, George Washington University; and John W. Warren, Director and Association Professor, Master of Professional Studies in Publishing, George Washington University. Ethics in Publishing Conference Assistant, Taylor Dent.

Attendance (in person and virtual) to the conference will be free-of-charge. Lunch will be provided to in-person attendees, and a social hour will follow the conference. We look forward to seeing you, in-person or virtually!

RSVP

Abbreviated Schedule – See the Full Schedule and Program with Bios and Descriptions of all presentations

THURSDAY, OCTOBER 10, 2024 | 9:00 am – 5:00 pm

GW City View Room, Foggy Bottom Campus

Elliott School of International Affairs

1957 E Street NW Washington, DC 20052

And Virtual

9:00 am – Welcome and Opening Remarks

Puja Telikicherla, Licensing and Subsidiary Rights Manager, American Psychiatric Association

John W. Warren, Director and Associate Professor, Publishing, George Washington University

9:15 am – In Other Words: Addressing Language and Multilingualism

Says Who?: Language Discrimination in Academic Publishing

Stella Sanchez, MPS in Publishing graduate, George Washington University; Assistant Managing Editor, Aerospace Medical Association

Networks and Collaborative Alliances Towards Latin America

Edgar García-Valencia, Veracruzana University

Does the Editor Need to be a Translator to Offer Quality Multilingual Content?

Laura Rodríguez Mejía, Independent Editor, Proofreader and Translator

10:30 am – Advancing Editorial Equity in Scholarly Publishing

Moderated by Jennifer Regala, Associate Director, Publishing, Wolters Kluwer Health

Toward Decolonizing Knowledge Production in Global Public Health: Efforts by a Global Health Peer Reviewed Journal

Sonia Abraham, MA, Scientific Editor, Global Health: Science and Practice

Natalie Culbertson, Managing Editor, Global Health: Science and Practice, Bloomberg School of Public Health

Peter Waiswa, MD, PhD, Associate Professor, Makerere University, Uganda, and Karolinska Institute; Member, Editorial Advisory Board, Global Health: Science and Practice

From Bias to Integrity: Fostering Equitable Science through Author Submission Guides and Policies

Steph Pollock, Equity, Diversity, and Inclusion (EDI) Lead, American Psychological Association

Mia Ricci, Director of Publications Operations, American Geophysical Union

Cindy B. Veldhuis, PhD, Assistant Professor, Northwestern University

Diversity in OA Publishing: What Does the Data Tell Us?

Casey Pickering, Director, Product Marketing, CCC

Increasing Diversity of Editorial Boards: A Literature Review and Case Study Analysis

Tammy Brodie, Editorial and Peer Review Coordinator, The American Association for Thoracic Surgery

Elizabeth Brown, Editorial Coordinator, Proceedings of the National Academy of Sciences (PNAS)

12:00 pm – Lunch

1:15 pm – Afternoon Welcome

Liesl Riddle, Ph.D., Dean, College of Professional Studies, George Washington University

1:30 pm – AI and Responsible Publishing

Moderated by Wendy Queen, Director, Project Muse

The Rights-Ethics Relationship in the Era of AI

Simone Taylor, Chief, Publishing, American Psychiatric Association

One Step Ahead: Proactive Versus Reactive Approaches to Avoiding Research Integrity Issues

Anna Jester, Director, Business Development, Wiley Partner Solutions

Jennifer Workman, Senior Business Development Manager, Wiley Partner Solutions

The Integrity Algorithm

Christopher Kenneally

2:30 pm – break

3:00 pm – From the Editor’s Desk

Moderated by Hind Berji, MPS in Publishing student; Managing Editor, GW Journal of Ethics in Publishing, George Washington University

How to Not Get Exploited as a Freelance Academic Editor

Bailey Harrington, freelance editor; part-time staff editor, Washington State University

From Funding to Publication: The Impact of the Geopolitical Landscape on Scholarly Communication

Andrew Bostjancic, Senior Manager Policy and External Affairs, Taylor & Francis Group

Nicko Goncharoff, Managing Director, Osmanthus Consulting

Ginny Herbert, Associate Publisher, Researcher Engagement and Experience, AIP Publishing

Protecting Their Innocence: Modifying Mature Content for Young Readers

Amy Hall, Amethyst Harbor, Inc.

Authenticity as Ethos: Why Diversity Alone Won’t Build Integrity in Publishing

Liliann Albelbaisi, Publicity Representative, Stirred Stories

Kelsea Johnson, Co-Founder, Stirred Stories

Redefining the Future of Peer Review: Black Stripe’s Community-Centered Practices and Their Impact on Open Access and Diverse Submissions

Mikayla Lee, MPS Publishing student, George Washington University

4:30 pm – Closing Remarks – Day 1

5:30 pm – In-person Social Hour to follow conference; location TBA

FRIDAY, OCTOBER 11, 2024 | 11:00 am – 4:00 pm – virtual only

11:00 am – Opening Remarks

11:15 am – Rethinking Peer Review

Moderated by Josephine E. Sciortino, Editorial Director, Canadian Science Publishing

Openness and the Ethics of Peer Engagement

Rebecca Kennison, Digital Content Editor, Augustus C. Long Health Sciences Library, Columbia University Irving Medical Center

AI in the Academic Context: Intellectual Property, Peer-reviewing and Editors’ challenges

Marco Giraldo Barreto, Editor in Chief, Universidad de Bogotá Jorge Tadeo Lozano

12:30 pm – Collaborative Publishing

Advancing HBCU Scholarship, Diversifying Digital Publishing

Sara Jo Cohen, Editorial Director, University of Michigan Press

Clare Jones, Assistant Editor, Brown University Digital Publications

Diona E. Layden, Special Collections Librarian, Fisk University

La Tanya L. Reese Rogers, Associate Professor of Literature and Drama, Fisk University

Adventures in Digital Publishing: Opportunities, Challenges, Looking Ahead

Ana Maria Jimenez-Moreno, Acquisitions Editor, The Ohio State University Press

Allison Levy, Director, Brown University Digital Publications

Mae Velloso-Lyons, Associate Director, Fox Center for Humanistic Inquiry, Emory University

Why Publishers Should Invest in Libraries to Cultivate Lifelong Readers

Rachel Kahn, MPS, George Washington University; Co-founder, Words for Libraries

Leo Postovoit; Co-founder, Words for Libraries

2:00 pm – break

2:15 pm – Updates from the GW Journal of Ethics in Publishing

Lois Jones, Peer Review Director, American Psychological Association; Editor-in-Chief, GW Journal of Ethics in Publishing

Student Committee Leads, GW Journal of Ethics in Publishing

2:30 pm – Building an Inclusive Scholarly Publishing Workforce

Building an Inclusive Scholarly Publishing Workforce: What we are learning from the Workplace Equity Survey

Maribel Gomez, MPS in Publishing Graduate, George Washington University, Publishing Inventory Associate, CCC

Camille Lemieux, Manager, Data Projects, Global Diversity, Equity and Inclusion (DEI), Springer Nature

Paige Wooden, Director of Publications, American Geophysical Union (AGU)

3:30 pm – Closing Remarks

Careers in Freelance Editing—Publishing CareerBuilder

Freelance editors provide a wide range of editorial services to authors and clients. In this Publishing CareerBuilder, we will discuss key stages in the editorial process, and explore services including developmental editing; book coaching; working with graduate students, international authors, and corporate clients; line editing, copyediting, indexing, and proofreading. Our panelists—authors and editors of The Art of Academic Editing and The Freelance Editor’s Handbook—will share their insights into how you can find clients, price your services, and build and maintain a profitable and enjoyable business as a freelance editor.

Cover: Freelance Editor's Handbook by Suzy Bills
Cover: Art of Academic Editing: A Guide for Authors and Editors

RSVP for this CareerBuilder (Free) – Virtual

Panelists

Suzy Bills, Assistant Teaching Professor of Editing and Publishing, Brigham Young University; author of The Freelance Editor’s Handbook 

Leslie Castro-Woodhouse, Ph.D., founder, Origami Editorial; co-editor, The Art of Academic Editing: A Guide for Authors and Editors 

Cara Jordan, Ph.D., Co-founder, Flatpage; co-editor, The Art of Academic Editing: A Guide for Authors and Editors 

Maria Snyder, Ph.D., editor and translator, chapter author in The Art of Academic Editing

Bios

Suzy Bills

Suzy Bills is an editor, author, and faculty member in the editing and publishing program at BYU. She’s owned a writing and editing business since 2006, working with clients to publish everything from books to dissertations to technical manuals. She loves sharing her skills with others, whether through teaching and coaching editors and authors, helping authors get their thoughts on paper, or fine-tuning their writing. Her book The Freelance Editor’s Handbook: A Complete Guide to Making Your Business Thrive was published by the University of California Press in 2021.

Leslie Castro-Woodhouse

Leslie Castro-Woodhouse, Ph.D., runs Origami Editorial, which offers developmental editing services and book coaching for academic authors. She holds a PhD in History from the University of California, Berkeley and is the author of Woman between Two Kingdoms: Dara Rasami and the Making of Modern Thailand (Cornell U Press, 2021), based on her doctoral dissertation. She has extensive experience as a journal editor and peer reviewer, including a former post at the University of San Francisco as managing editor of the journal Asia Pacific Perspectives. Before becoming a developmental editor, Leslie taught courses in Asian studies at the University of California, Berkeley and the University of San Francisco.

Cara Jordan

Cara Jordan, Ph.D., worked as a freelance academic editor before cofounding Flatpage, an editorial agency and publishing house. She earned a PhD from the City University of New York Graduate Center. She works on journal articles and book manuscripts across the humanities and social sciences. As chief editor at Flatpage, she oversees a team of editors and manages all projects. She has a certificate in editing from the University of California San Diego Extended Studies—where she currently teaches advanced copyediting—and is a professional member of the Chartered Institute of Editing and Proofreading, and a full member of the Editorial Freelancers Association and ACES: The Society for Editing. Cara coedited The Art of Academic Editing: A Guide for Authors and Editors

Maria Snyder

Maria Snyder, Ph.D., is an editor who also translates from French and German to English. She wrote the chapter “Working with International Authors” in The Art of Academic Editing. She has translated and edited texts ranging from literary to technical and early modern to contemporary. Previously, as a tenured professor, she taught translation and media studies.

Co-Moderated by Nicole Mintz, Career Services Director, College of Professional Studies, and John W. Warre, Director and Associate Professor, Graduate Program in Publishing, George Washington University

Navigating Publishing Careers in a Stable Landscape of Continuous Change

Podcast episode on the Professionals Podcast

Listen on Apple Podcasts • Listen on Spotify

The publishing landscape has many contractions: a stable, mature industry, publishing has traditions and practices forged over decades and even centuries, yet publishing is also ever-evolving. Like the two faces of Janus, publishing faces its past while looking toward its vibrant future. From the transition from print to electronic journals and eBooks, significant growth in audiobooks and podcasting, and the integration of AI technologies, the industry continues to undergo a metamorphosis. Over my three decades in the field, I’ve witnessed and written about these shifts, and strive to continuously adapt our approach to reflect trends and best practices in our curriculum.

When eBooks burst onto the scene in the late ’90s and early 2000s, pundits speculated about print’s ultimate demise. The enduring pleasure of holding a well-made book, however, ensures that printed books remain the dominant format in book publishing, while eBooks hover around 20% of the market (with large variations dependent on the genre, audience, publisher, and market). Electronic journals dominate scholarly publishing. Audiobooks have grown by double digits for a dozen straight years, due to the proliferation of smartphones, platforms such as Audible and Spotify, and efforts by public libraries to make audiobooks more accessible.

Often overlooked by entrants considering careers in publishing are the fields of scholarly, academic, education, and professional publishing, including careers in scholarly journals, which provide numerous opportunities. Prominent associations and societies in STEM as well as the humanities and social sciences have significant publishing operations, which often serve as significant drivers of the association, and provide numerous, diverse, and rewarding careers. Our students also find opportunities with university presses and for-profit scholarly publishers. Other students find opportunities in trade (general interest) publishing with the Big 5 or with independent presses. A significant and increasing number of students launch their own ventures or find opportunities in publishing startups, services, audio, and more, or find jobs that involve publishing activities at organizations that are not predominantly publishers, but where publishing is nevertheless essential to their business.

Our curriculum has always included a commitment to developing ethical leadership in publishing, a theme that has become increasingly pertinent in today’s landscape. Our annual GW Ethics in Publishing Conference, in its 14th year in 2024,, encompasses a broader range of topics, including diversity, equity, inclusion, and accessibility, the ethical implications of emerging technologies like AI, workplace equity, multilingual publishing, and more.

AI represents the most transformative change in publishing since the advent of computers and desktop publishing in the 1980s and 1990s. The integration of AI into publishing workflows presents both opportunities and challenges. While it has the potential to streamline processes and enhance efficiency, AI raises numerous concerns around authorship, research integrity, disinformation, job displacement and many other ethical considerations. As publishers, and educators, we must navigate these complexities while equipping students with the skills to harness AI responsibly.

My own experience with AI is cautious and optimistic. We must ensure that a human is in the loop at the beginning and at the end. We must ensure that AI makes our jobs more efficient, creative, and strategic, and not replace our jobs. For my presentation at a publishing conference in Guadalajara, Mexico, I utilized the AI-powered translation tools of DeepL to translate my presentation and tools I’d created to share in Excel. I subsequently verified and refined the translation before presenting in Spanish; still, using AI saved valuable time without compromising quality.

Maintaining a stance of cautious optimism, we can recognize the potential of new technologies to make publishing more agile and efficient, while remaining mindful of their ethical implications, including the very real dangers of bias and disinformation. As our graduates become leaders in the field and shape the future of publishing, they will be embracing innovation mindfully, upholding the principles of integrity and inclusivity that underpin our industry.

Scholarly Publishing Journals and Your Career

Publishing CareerBuilder: Scholarly Publishing Journals and Your Career
Friday, March 22, 2024, 4:00 – 5:00 PM ET
Eventbrite: RSVP

As publishers, we develop expertise in publishing the work of others, in acquisitions, editorial management, peer review, and in myriad roles that add value to authors and extend scholarship. In our upcoming Publishing CareerBuilder, we will explore the impact of getting involved with and contributing to publishing journals. We’ll discuss the benefits of writing for and publishing an article in publishing journals, serving as a peer reviewer, serving on an editorial board or as Editor-in-Chief. Join us as we explore the impact these activities can have on one’s career and the impact these journals have on the publishing ecosystem. Our webinars in the popular Publishing CareerBuilder series focus on career opportunities, publishing roles and sectors, and job search strategies. Publishing your research and articles about publishing forces, issues, and best practices contributes to the advancement of the publishing ecosystem and has a positive impact on your career.

EIC’s and managing editors of the Journal of Electronic Publishing, Learned Publishing, Publishing Research Quarterly, and the student-managed GW Journal of Ethics in Publishing will share their experience as well as ways that you can get involved.

Panelists

  • Dr. Alyssa Arbuckle, Co-Editor, Journal of Electronic Publishing; Cluster Co-Facilitator, INKE Partnership
  • Tia Gracey, Managing Editor, GW Journal of Ethics in Publishing; Associate Editor, American Political Science Association
  • Jocelyn Hargrave, Editor, Publishing Research Quarterly; Lecturer in Publishing, University of Derby
  • Lois Jones, Editor-in-Chief, GW Journal of Ethics in Publishing; Peer Review Director, Journals, American Psychological Association (APA)
  • Jodie Martire, Associate Editor of Publishing Research Quarterly, Ph.D. candidate, University of Queensland
  • Michelle Urberg, PhD, MSLIS, North American Editor for Learned Publishing, on behalf of Society for Scholarly Publishing; Client Success Manager, LybLynx

This event is sponsored by GW’s Graduate Program in Publishing,is free of charge, and is open to current and prospective students, alumni,and members or aspiring members of the publishing, library, and scholarly communication community.

Co-moderated by Nicole Mintzand John W. Warren

Bios

Dr. Alyssa Arbuckle (she/her)

Dr. Alyssa Arbuckle (she/her) is the Co-Editor of the Journal of Electronic Publishing and a researcher with the Implementing New Knowledge Environments Partnership, where she co-facilitates its Connection cluster. Until 2024, Alyssa served as Co-Director of the Electronic Textual Cultures Lab at the University of Victoria as well as Co-Director of the Digital Humanities Summer Institute. Alyssa holds an interdisciplinary PhD from the University of Victoria; her dissertation focused on open social scholarship and its implementation.

Tia Gracey (she/her)

Tia Gracey (she/her) is the Managing Editor for the GW Journal of Ethics in Publishing and the Associate Editor for the American Political Science Association. She has recently earned her Master’s in Professional Studies in Publishing at George Washington University and, before that, earned her Master’s in Liberal Arts at McDaniel College. She enjoys reading, playing video games, and has recently picked up studying Japanese in her free time.

Jocelyn Hargrave (she/her)

Jocelyn Hargrave (she/her) is an Australian-born Lecturer in Publishing at University of Derby. Her research intersects book history (early modern to nineteenth century), editorial theory and practice, and contemporary publishing studies, with particular focus on educational and academic publishing. She is the author of Teaching Publishing and Editorial Practice: The Transition from University to Industry (Cambridge University Press, 2022), The Evolution of Editorial Style in Early Modern England (Palgrave Macmillan, 2019), and numerous articles published in international journals such as Publishing Research Quarterly, Journal of Scholarly Publishing, Media History and Logos. Jocelyn is a practising editor, with more than twenty-five years’ experience working in the publishing industry; in July 2023, she was appointed Editor of Publishing Research Quarterly.

Lois Jones (she/her)

Lois Jones (she/her) is Editor-in-Chief, GW Journal of Ethics in Publishing, and Peer Review Director for the Journals Department at the American Psychological Association (APA), where she oversees the peer review strategy and operations for 90 journals. Lois is focused on ensuring a transparent and ethical peer review process for authors, while providing reviewers and editors with the exceptional support they need in the constantly changing landscape of scholarly publishing. She is a 2014 graduate of the MPS in Publishing from GWU and a 2017 Early Career Fellow for SSP.

Jodie Martire (she/her)

Jodie Martire (she/her) is a PhD candidate at The University of Queensland. Her doctoral research focuses on minority-language publishing in Australia and its role in communities’ defense of their linguistic human rights. She has over 20 years’ experience in the book trade as a writer, translator, editor, publishing manager, and bookseller, and she is currently the Associate Editor of Publishing Research Quarterly (responsible for book reviews).

Michelle Urberg (she/her)

Michelle Urberg (she/her) is a publishing professional, a trained librarian, and a musicologist. She has deep knowledge of metadata standards, metadata creation in the library and publishing software industries. She has worked in academic libraries, as a metadata librarian for the ExLibris business unit of ProQuest (Clarivate), and an Implementation Project Manager for ESBCO Information Services. She is currently an independent consultant and the Client Success Manager for LibLynx and the North American Editor of Learned Publishing. Recent research projects include identifying options for standard identifiers and metadata exchange of audio-visual content and improving metadata for digital humanities projects. Michelle holds a PhD in Music History and a MS in Library and Information Science. She was previously active with Metadata 2020. She is currently active in SSP, NISO, and ACRL. She is an active member of NISOs VAMD working group.

Alumni Profile – Casey Aimer & Amber Avila-Aimer

Employers, GW Publishing faculty, CPS staff, and others invariably remark about the impressive and evident talents of GW Graduate Program in Publishing students.

Casey Aimer and Amber Avila-Aimer are exemplars of the creative talents, analytical acumen, and entrepreneurial expertise of our publishing students. In early 2021, Publishing director, John W. Warren, was in conversations with Amber, who was considering her application to the publishing program. A few weeks later, he spoke with Casey about applying to GW Publishing. As their applications indicated they both possessed MFA’s from Texas State University, in literature and creative writing, respectively,  it seemed logical they were acquainted; a few weeks later, they revealed that they were in fact partners. Amber and Casey moved to the Washington, DC, area to take publishing graduate courses in person; secured jobs with local publishers; and were subsequently engaged and married during their two years of study—GW Publishing’s first married couple. Along the way, they launched Radon, a literary magazine, while working full-time and studying.

Let’s start from the beginning: You were the first couple to apply here simultaneously, and you got married while in the program! Congratulations! What are some of the reasons you decided to pursue the MPS in Publishing degree? Why did you choose GW specifically? 

Amber: Like most college graduates, we had a hard time securing jobs during the pandemic. We graduated from our first master’s programs and moved into Casey’s childhood home in Central Texas thinking that we would be there for a couple of months until we secured a job. Well, two months turned into ten and we were still looking for our next opportunity. Frustrated with the job searching process, I began to investigate editing certificates to help me sharpen my editorial skills while we kept chugging out applications. It was during this search that I came across the MPS in Publishing Program here at GW. I was honestly a bit hesitant to begin another two-year program, but after a virtual meeting with John Warren, I knew that we both had to apply. John did an incredible job at making me feel supported as a prospective student and the descriptions for the courses made me feel like this program would be the perfect fit for us. We had also been gunning to leave Texas after graduation so the program being in DC was just icing on the cake.

Casey Aimer and Amber Avila-Aimer

You moved to Alexandria, VA, to study for your MPS in Publishing in person, and were able to secure jobs in the publishing industry before you even landed in DC. Why did you decide to move to DC? How were you able to find jobs before even starting the program? Was it difficult to manage work schedules while studying for your MPS degree?

Casey: That we were able to find quality jobs in scientific and university publishing before arriving in DC is a testament to this program’s prestigious influence. Both companies we ended up with have higher-ups from this program or teach in it as professors. Rather than being a program famous in name alone, the program is known for producing top publishing professionals, and anyone getting into or completing the program are known to be competent assets for any publishing firm.

The MPS degree was wonderfully considerate of our time as working adults, especially when compared to our previous full-time master’s degrees. Yes, we had to budget our time, especially when planning a wedding at the same time, but we never felt that the demands from our classes were more than we could handle on any given week. The professors here are focused on giving you the knowledge and experience one needs to function at a high level in the industry, and it is free of busy work.

Amber: Adding onto a bit of what Casey has already mentioned, we really must tip our hats off to John Warren and Nicole Mintz for helping us navigate the DC job hunt. Without Nicole’s coaching and program-specific knowledge and John’s infinite connections, I am sure we would have had a much harder time finding such great opportunities. For those of you who are planning on getting their first jobs in publishing, I highly encourage you to set appointments with them both!

“…the program is known for producing top publishing professionals, and anyone getting into or completing the program are known to be competent assets for any publishing firm.”

Casey Aimer

After only your first or second course in the program, you took an idea you developed in a course and launched your own literary journal, Radon, which recently published its sixth issue. It’s been impressive to watch your trajectory developing this journal and sustaining it into several issues. You pay authors! How did you develop this idea? Were you able to work through some course assignments in the publishing program related to your journal?

Cover image of Radon (literary magazine) issue 5.

C: I’ll admit that the idea for a literary journal that combines science fiction, transhumanism, and anarchism was one I’d held in my head for years. It is everything I wished existed when I was a young writer looking for a home and finding nowhere that accepted my unique passions. Especially for sci-fi and radically political poetry that I was instructed to shy away from in all my formal BA and MFA writing education. Life is hard as a writer, and the world needed more semi-pro lit mag publishers advocating for their authors and helping them reach the next stage of their career. Though the kernel was in my mind since the 2010s, my courses here did allow me to flesh out the concept, run through the viability, and create everything from a mission statement to early webpage drafts. The encouragement to follow one’s niche passion in the publishing industry dug deep in my neurons and gave me the confidence to pursue the idea to reality.

What advice would you give to new or prospective students to the MPS in Publishing program?

C: Try to come live in Alexandria if possible and attend in-person classes. The additional camaraderie you receive from your fellow students and professors is exceptional. There are plenty of scholarly and scientific publishing jobs in DC, too!

What course or professor made the biggest impact on you during your time at GW?

A & C: The most impactful courses are often the ones that are the most unassuming. The professors here have a knack for making any topic relevant, exciting, and integral to your work life. Whether it’s copyright law or management, you won’t know what to do without the skills once you’re done.

“I’m incredibly lucky I was able to harness learned skills from the program and apply them to my job at the same time.”

Amber Avila-Aimer

How are you using what you learned in your publishing courses in your day-to-day work as Editorial Coordinator, AAAS (Casey); and previously at the American Psychological Association, and now as Managing Editor at Wiley (Amber)?

C: Every publishing course gave us a little more of the puzzle that is the publishing industry. The production classes set you up to help in the production arm of wherever you work, the marketing courses provide insight into the labor that is getting society to notice your authors, and editorial courses will sew-up any areas you lack in your developmental/copy/line editing skills. So, the cop-out answer is that everything we learn is relevant to our day-to-day work at publishers and will serve us well into whichever role we choose next.

A: By the time I had moved into APA full-time, I had a foundational knowledge of the scholarly book publishing industry through the accumulation of my courses in the program. This made it a lot easier to “jump right in” at APA, so to speak.

All the courses in the editorial block of the program’s offerings (Mastering Book Acquisitions, The Professional Editor, and Editing Special Projects to name a few) gave me the guiding principles and technical know-how for my role at APA. I have spearheaded projects that include peer-review outreach, comparative and competitive research, inputting data into title management systems, eBook management, and book scheduling. Most recently, I provided a developmental review of an APA title set to be published next year and received exceptionally positive feedback from both developmental editors on the project.

I’m incredibly lucky I was able to harness learned skills from the program and apply them to my job at the same time. It’s an amazing feeling to come into a job and confidently say “I’m actually quite familiar with that [insert publishing thing here].”

Radon Journal (cover) Issue 6

You have both worked with Nicole Mintz, CPS Career Services Director, and participated in events such as our Publishing CareerBuilder webinars. How did you benefit from some of the career services at GW’s College of Professional Studies and the Publishing program specifically?

C: This program’s focus on industry placement is refreshing, and helpful each step of the way. It highlights how this program truly is for professional studies and those wanting to be at the top of their game in their chosen industry. The CareerBuilders spanned a wide gambit of topics, with something for everyone no matter which niche in the industry you want to pursue.

I’d also like to highlight the yearly GWU Publishing Ethics Conference. Each October it grows and all walks of professionals across the US attend. I highly recommend everyone who can attend in person to meet fascinating and important industry professionals.

Isabella Greene, Publishing—Graduate Distinguished Scholar Award

Isabella Greene was the recipient of the 2023 College of Professional Studies Graduate Distinguished Scholar Award at the 2023 CPS Commencement Ceremony. The College of Professional Studies Graduate Distinguished Scholar Award recognizes the graduate student who best demonstrates the college’s core competencies of strategic thinking, communication, collaboration, leadership, and ethics.

Director John W. Warren introduces Isabella Greene as the CPS Graduate Distinguished Scholar Award at the 2023 CPS Commencement Ceremony.

All who are familiar with GW’s graduate program in publishing knows that we are blessed with a plethora of outstandingly talented students. We think that the talent can’t possibly get better, and it goes up a notch. Isabella’s talents and practice in strategic thinking, effective communication, collaboration, leadership, and commitment to ethics exemplify the CPS Core Competencies.

Isabella is one of the most impressive students I’ve had the honor to work with in the eleven years that I have been associated with the program at GW.

She graduates with a GPA of 4.0, in the top 1 percent of her cohort. She worked full-time throughout most of the program as Project Manager for Pubvendo, a digital marketing firm for publishers and authors. Her contributions and projects have been consistently thoughtful, comprehensive, and strategic, while generously supportive of the learning and growth of her peers.

For her Ethics in Publishing capstone, Bella developed a project that combined both applied ethics and research, to improve accessibility and employment in the publishing industry. She conducted extensive interviews about disabilities, including hidden or “invisible” disabilities, developed a survey and a website to support her project, and conducted a case-study within a team of copy editors.

She then developed that project into her own company, AbiliTEAM Consulting LLC., to help employers support employees with disabilities and accommodation needs, including invisible or hidden conditions.

Isabella Greene receives the CPS Graduate Distinguished Scholar Award at the 2023 CPS Commencement Ceremony.

In October, she presented her project and survey at our 12th GW Ethics in Publishing Conference; the only current student to present at our hybrid conference, which was streamed to 400 attendees.

She subsequently entered GW’s prestigious New Venture Competition and reached the semifinal round; as the only CPS student and the only solo entrepreneur in her Business Goods & Services track.

I am honored to have worked with her over these two years. Bella is an accomplished student leader; ambitious and driven, while equally caring, empathetic, supportive and helpful to her peers.

Comments from GW Graduate Program in Publishing professors:

Randy Townsend: I enthusiastically support Isabella Greene’s nomination for this year’s Distinguished Scholar Award. In the Ethics in Publishing course, our discussions on invisible and chronic illnesses inspired Isabella to explore this topic for her capstone project. Isabella’s experience with Ehlers Danlos Syndrome made her project personal.  Throughout the 2022 summer session, she mapped out a blueprint for AbiliTEAM Consulting LLC, a company she launched just a few short months after the conclusion of the class. Officially licensed as an LLC in Massachusetts, AbiliTEAM Consulting LLC now supports organizations in their pursuit to become more inclusive and accessible.

Puja Telikicherla: Isabella’s drive, focus, and dedication to positive change make her an outstanding recipient for the Graduate Distinguished Scholar Award. She represents the core values of this merit through her consistent pursuit of education in service to the greater good, her skillful problem-solving, her sincere empathy towards others, and her willingness to create innovative methods within the structure of an established industry. She embodies leadership and teaches by example and her passion for continuous improvement can transform the publishing landscape. I also had the good fortune to see Isabella’s name on our list of submissions for the 2022 Ethics in Publishing conference, held both online and in-person last October. (I am a co-organizer of the conference with John W. Warren and am responsible for evaluating submissions and scheduling presentations). Isabella’s submission, Publishing Accessibility Support Systems, centered on her work as the founder of AbiliTEAM Consulting, an accessibility consulting firm in the service of supporting workers with invisible and chronic illness. It is worth mentioning that the Ethics in Publishing conference occurred just at the conclusion of my Fall 2022 course that Isabella was enrolled in, giving her double duties at a particularly busy time of year. Not only does Isabella have extraordinary energy and motivation, but her time management skills demonstrate just how disciplined she is with her many pursuits and projects, both within the CPS and beyond, and how willing she is to help no matter how menial the task.

Isabella Greene receives the CPS Graduate Distinguished Scholar Award at the 2023 CPS Commencement Ceremony.

Please join me in congratulating Isabella Greene, our 2023 CPS Graduate Distinguished Scholar.

Dean Smith Faculty Excellence Award, CPS

Professor Dean Smith was the recipient of the 2023 College of Professional Studies Faculty Excellence Award at the 2023 CPS Commencement Ceremony. This honor is awarded to the part-time faculty member in the College of Professional Studies who has provided extraordinary service to the students and the college. The award recognizes both enlightened teaching and meritorious efforts to advance the college and its programs.

John W. Warren, Director, GW Graduate Program in Publishing, introducing Professor Dean Smith and the CPS Faculty Excellence Award.

Dean Smith has taught in the MPS in Publishing program since Fall 2012. His course, Book and Journal Publishing, is our students’ first entry into the program; for many of our students it is their first entry into the profession of publishing; a nuanced, complex, and challenging profession to summarize succinctly in a twelve-week course.

Professor Smith’s full-time role is Director of Duke University Press, one of the most prestigious university presses in the world and a rather large enterprise. He has plenty on his hands. Nevertheless, he comes to GW’s Alexandria campus once per week, from Durham, North Carolina, for his twelve-week course to teach the course in person, in addition to teaching the online course during the same twelve weeks.

In his course, Dean brings in a wide variety of guest lecturers to speak about the different sectors and roles in publishing. People such as the President/CEO of Elsevier, and SVP of Ingram Content Group, as well as well-known authors and other publishers.

Dean is a devoted mentor to students and an outstanding professor. He has been instrumental in introducing students to job opportunities. Here are some words of support from Dean’s students, typical of what I hear from his students every year.

From Isabella Greene, our CPS Graduate Distinguished Scholar:

Dean encouraged me to be bold in my pursuit of publishing jobs and to keep an open mind throughout the program. He really set the tone for what ended up being a fantastic program.

Professor Dean Smith receives the CPS Faculty Excellence Award, Commencement, 2023

From Casey Aimer:

Dean exemplifies excellence and a commitment to the program that exceeds all others. His immense love for publishing and preparing the next generation of professionals propels him to travel from North Carolina to teach each week. His class is the cornerstone of the first semester and is the perfect introduction to the program.

And Kelley Robbins:

Tapping his own personal and professional network, Dean brings in longtime publishing professionals to speak to his students during class sessions and share their insights about the industry and areas of expertise. He goes above and beyond the basic requirements of being an instructor and serves as a springboard to help launch students into their publishing careers. I consider him both a friend and mentor and can’t think of anyone more deserving of this recognition.

Join me in congratulating Professor Dean Smith for the 2023 CPS Faculty Excellence Award.

GW Publishing Book Club: “Yellowface” discussion and vote for book 7

Book 6 discussion

Our selection for book 6 in the GW Publishing Book Club is “Yellowface,” by RF Kuang. “With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable.”

We’ve set a date of Saturday, Nov 4, at 4:00 pm EDT to have an informal discussion of the book, and we will have a special surprise.

We are enjoying the book and were pleased to see is set in DC, home of the George Washington Univerisity.

As always, we welcome Publishing Book Club members to attend our discussion whether or not they have read the book.

If you are not already a member, you may sign up here.

Book cover of Yellowface by RF Kuang. Yellow cover with eyes at top of cover.

Book 7 selection

Vote for our seventh selection using this form by October 31, 2023. We’ll announce the selection at our meeting on Nov 4, and discuss it early next year. We’ve narrowed the list down to four titles that were suggested by members.

Four book Covers: Once Upon a Tome; In Praise of Good Bookstores; Blurb Your Enthusiasm; Under the Cover

Two are from Princeton Univ Press, who have generously offered a discount to members. They all look great!

Here is our Bookshop.org list of books that members have recommended and previous books we have read and discussed. To date we have discussed five titles, and the authors of all five books have met with members to discuss their book.

The GW Publishing Book Club, organized by the MPS in Publishing program at the George Washington University, is a space for publishing students, alumni, faculty, and members of the publishing, library, and scholarly communication community to read and discuss titles on the history of the book, the history of publishing, and similar topics. The bookclub is free and open to all, and is designed for general knowledge, fun, networking, and community building. 

GW Publishing Book club committee: Laila Keadan (chair), Casey Aimer, Amber Avila Aimer, Carly Fisher, Kathryn Kremp