“I Am…” Graduation Show 2021
Katie Gaynor “Untitled.” Soft cut block print, 9×12 in, $20 Lisa Pascal, “I am here to help.” Mixed Media 14” x 18” NFS Barbara Van Der Vossen, “I Am Emerging.” Mixed media on canvas. 24×36. $1,500 Barbara van der Vossen, “I Am Here With You.” Mixed Media on Canvas. 20″ x 16″ $500. Claire Kalala, “The art of burning,” Acrylic on canvas,12×16, NFS, June 2020 Lauren Parks, “I am… encountering others through myself,” mixed media on paper, diptych 6in x 9in, NFS Lauren Parks. “I am… encountering others through myself,” mixed media on paper, diptych 6in x 9in, NFS Lauren Parks, “I am… evolving by experience”, acrylic on canvas, 11in x 14in, $616 Michelle Miott, Theory Series Michelle R. Miott, “Bloom.” Mixed, ink and photoshop Thoni, “My Body, My Friend” Rachel Thoni, “Layers of Me.” Mixed Media (Paint, Paper, Marker, on Wood). NFS. Megan McMurdy, “Broken Like Me,” Ceramic Megan McMurdy, “Spinal Bones and Aching Moans,” Ceramic NFS Megan McMurdy, “A Chrysalis.” Ceramic NFS Katie Boggs, “Mystical Waves,” Acrylic on canvas, 8 in x 12 in, NFS Megan McMurdy, “Tugs of Sadness,” Acrylic on canvas NFS Megan McMurdy, “The Hope to Transform.” Acrylic on canvas NFS Megan McMurdy, “Tears of Rage.” Acrylic on canvas NFS Katie Gaynor, “Safety,” Cyanotype and watercolor, 18x24in, NFS Jessica Aguilar, “Identity 3” Jessica Aguilar, “Identity,” Mixed Media (Box, collage, glass, cloth, acrylic paint, electric lights) 10 inches length x 7 inches width x 3 1/2 inches height NFS Jessica Aguilar, “Identity 2” Jessica Aguilar, “Identity 5” Jessica Aguilar, “Identity 4” Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS
Story Cloths, Summer 2021
Storycloth class is a summer elective where students learn about narrative textiles as an art therapy intervention. This class focuses on traditional storycloths and the healing aspects of creating with hand stitching and fabric. This summer’s storycloths depict personal stories, fairytales, and stories from current events.
Counseling and Art Therapy Process, Theory Series
These Series of artworks represent psychological theories that are used in therapy, illustrating the integration of art and psychology that is art therapy. Student art therapists chose an art form to create a piece for each theory, ending with their own theory at this time in their art therapy careers. Congratulations to our 2021 graduates!
Claire Kalala, Counseling Art Therapy Theory Series Seraiah Simmons, Theory Series Lauren Parks, Counseling Art Therapy Theory Series Yasi Ahsanipour, Theory Series Bailey Call, Counseling Art Therapy Theory Series Michelle Miott, Theory Series Katie Gaynor, Counseling Art Therapy Theory Series McKeon Dempsey, Theory Series Katie Boggs, Counseling Art Therapy Theory Series Lena Townsell, Theory Series Sara Blevins, Counseling Art Therapy Theory Series Jessica Aguilar, Theory Series Lisa Pascal, Theory Series Rachel Thoni, Counseling Art Therapy Theory Series Connie Zabokrtsky, Theory Series Meg Mcmurdy, Counseling Art Therapy Theory Series Barbara Van Der Vossen, Theory Series Sarah Pregmon, Counseling Art Therapy Theory Series Addy Purdy, Theory Series Marcela Santos, Counseling Art Therapy Theory Series Anita Alex, Theory Series Lindsay Innis (each image is animated, which is not visible as an image). Counseling Art Therapy Theory Series Sam Froh, Theory Series Kate Harris, Counseling Art Therapy Theory Series
“I Am … ” Graduation Exhibit 2021
Lauren Parks, “I am… evolving by experience.” Acrylic on canvas, 11in x 14in, $616 Katie Boggs, “Mystical Waves.” Acrylic on canvas, 8 in x 12 in, NFS Barbara van der Vossen, “I Am Here With You.” Mixed Media on Canvas. 20″ x 16″ $500. Lisa Pascal, “I am here to help.” Mixed Media 14” x 18” NFS Michelle R. Miott, “Bloom.” Mixed, ink and photoshop Barbara Van Der Vossen, “I Am Emerging.” Mixed media on canvas. 24×36. $1,500 Lauren Parks, “I am… encountering others through myself.” Mixed media on paper, diptych 6in x 9in, NFS Lauren Parks. “I am… encountering others through myself.” Mixed media on paper, diptych 6in x 9in, NFS Claire Kalala, “The art of burning.” Acrylic on canvas,12×16, NFS, June 2020 Rachel Thoni, “My Body My Friend.” Storycloth (Fabric and Embroidery). NFS. Rachel Thoni, “Layers of Me.” Mixed Media (Paint, Paper, Marker, on Wood). NFS. Megan McMurdy, “Tugs of Sadness.” Acrylic on canvas NFS Megan McMurdy, “The Hope to Transform.” Acrylic on canvas NFS Megan McMurdy, “Tears of Rage.” Acrylic on canvas NFS Katie Gaynor, “Safety.” Cyanotype and watercolor. 18x24in, NFS Katie Gaynor, “Growth.” Cyanotype and watercolor, 18x24in, NFS Katie Gaynor “Untitled.” Soft cut block print, 9×12 in, $20 Megan McMurdy, “A Chrysalis.” Ceramic NFS Megan McMurdy, “Broken Like Me.” Ceramic Megan McMurdy, “Spinal Bones and Aching Moans.” Ceramic NFS Jessica Aguilar, “Identity.” Mixed Media (Box, collage, glass, cloth, acrylic paint, electric lights) 10 inches length x 7 inches width x 3 1/2 inches height NFS Jessica Aguilar, “Identity 2” Jessica Aguilar, “Identity 3” Jessica Aguilar, “Identity 4” Jessica Aguilar, “Identity 5” Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS Sara Blevins, “I am still growing.” Origami paper 2.25 in x 34.5 in NFS
Human Development Masks 2020
These masks were made in fulfillment of a class assignment for “Human Development: Child and Adolescent” in Fall 2020. The class topic was identity development during adolescence. Student were instructed to make a plaster mask, either through putting wet plaster directly on their own faces, or by using a plastic form. Students then embellished the dried masks to symbolically represent part or parts of their own identities. This class is taught by Stacey Nelson and Deni Brancheau.
Storycloths 2020
Faculty Wall — Lindsey Vance
“Ariel, Lioness of God.” A piece dedicated to grounding and mindfulness in the healing process. 24×36” Oil on Canvas “Chakras Aligned.” Exploring spirituality and energy and holistic alignment of process, pain and joy. Oil on Canvas (4 panels) 24×48” “Gabriel Blow Your Horn.” A nod to the majesty of music and sounds of healing and my early trumpet playing days. 24×30” Acrylic and Mixed Media on Canvas (2 panels) “Tribe Healer: Peace Meditation.” The raw reflection of the collective and community based healing that have been integral in the growth and healing process for me and those I serve. 30 x 30” Acrylic on Canvas
The artworks presented in this gallery are a select four pieces of Lindsey Vance’s (arTestimony) from the God’s and Angel’s collection. These works were created as an introduction to Artistic Alchemy, a creative collection from artists arTestimony and B/ue Robin. We are contemporary artists with two very distinct styles and creative processes, which allows us to complement one another when showing together.
The collection showcases a series of mix-media paintings anchored in spiritual vision with the theme of love and loss. Each artist experienced the loss of their mothers at young ages which has been integral in shaping their art and life missions. This collection elicits an emotional response from viewers and the artists alike with a focus on healing and understanding the divine immersed in love. The duo creates abstract paintings with figurative elements that are alive with color, texture, and glowing elements.
The four pieces selected to share are titled, Ariel: Lioness of God- a piece dedicated to grounding and mindfulness in the healing process (24×36” Oil on Canvas); Gabriel: Blow Your Horn- a nod to the majesty of music and sounds of healing and my early trumpet playing days (24×30” Acrylic and Mixed Media on Canvas (2 panels)); Chakras Aligned- exploring spirituality and energy and holistic alignment of process, pain, and joy ( Oil on Canvas (4 panels) 24×48”).; and lastly Tribe Healer: Peace Meditation- the raw reflection of the collective and community based healing that have been integral in the growth and healing process for me and those I serve (30 x 30” Acrylic on Canvas).
I chose these artworks at this time because I believe they speak to the collective healing that our world is seeking as we battle through a global pandemic, a rise in blatant racist attacks, and the trauma of grief and loss that we are not able to process quickly enough. I hope they offer hope, balance, joy and purpose as we reflect during this time of awakening.
2020 Incoming Student Exhibit
Welcome everyone, and enjoy the show!
A. C. ,”Sorrow” “Nostalgia” “Aha” Oil on canvas M. Gray, “Yemoja: A Mother’s Plea” Acrylic and Digital Editing M. Ton-Nu, “The Making of an Origami Star” Oil on Canvas K. James, “Quarantine Madness.” Charcoal So Young Lee, “Lost and Found in the Desert” Oil, oil pastel and graphite on canvas E. Lesnevich, “A Collection of Self-Portraits.” Oil on board G. Breeding, “Zipporah.” Oil on canvas C. Razzano, “Seaside.” 2012-2014 H. Yun, “Who Am I.” Oil and acrylic on wood panel F. P., “Eretmochelys imbricata” Illustrator L. Varney, “Sharks Eggs.” Ink on paper H. J. Kim, “Eye, I.” Acrylic on canvas M. Meredith, “Weaving #4.” Fibers/textile H. Kroll,”Seven Weeks of Social Distancing.” Watercolor S. Jawdat, “Sweating it Out.” Gouache & acrylic on printer paper J. C., “Scrubbing.” Mixed media C. Harris, “Views from my Bathroom Sink.” Acrylic on canvas V. Eades, “Abundance.” Watercolor and paper on canvas H. , “Toxic Competition.” Digital archival print K. Ash-Green, “Untitled” Acrylic on canvas K. F. Photography, Abandonment Series B. Masimula, “Beachy Me” Acrylic on canvas C. Baxter, “Fireflies.” Acrylic & glitter
Life Pieces to Masterpieces Summer Exhibition
We were very excited that our summer exhibit would be works from Life Pieces to Masterpieces, and we started planning early in the spring, of course expecting the paintings to line the walls of the Art Therapy Gallery in Alexandria, VA. Needless to say, an in-person exhibit could not happen. Instead, we are presenting this powerful work virtually.
Life Pieces To Masterpieces (LPTM/Life Pieces) is a mentoring and youth development organization that uses artistic expression to develop character and leadership, unlock innate potential, and prepare African American boys and young men to transform their lives and communities. Our vision is that LPTM gentlemen will be catalysts for positive change in their communities and the world. LPTM currently serves 70 boys from age three to young adulthood living in some of D.C.’s poorest and most volatile neighborhoods in Ward 7 and Ward 8, through after-school, Saturday, and summer programming. In an area of the nation’s capital where the rate of public high school graduation for “at-risk” youth is only 58%, 100% of the boys who participate in Life Pieces through their senior year graduate from high school. Nearly all enroll in college or other post-secondary career training.
Students at Drew Elementary, the school that is home to LPTM, are, according to the DC Public Schools website, 99% Black and 100% economically disadvantaged, i.e. eligible for free or reduced-price meals under the National School Lunch and Child Nutrition Program. Access to positive male role models is limited by the fact that 71% of the families in the service area are headed by single mothers.
Since 1996, rather than focusing on the deficits in the environment our youth come from, LPTM has asked questions about the environment we can create together. What happens when a boy grows up surrounded by love, security, and expression? What happens when he has a safe, loving place to go to every day after school? What happens when he builds his academic and social skills while surrounded by people who care about him? Where he learns that it’s okay to express his emotions? Where he learns how to be a leader? What happens when he discovers his brilliance and creativity each day?
LPTM has helped our young men with scholastic achievement, college readiness, conflict-resolution, positive community involvement, and most importantly, confidence in who they are as young black men. A 2016-17 evaluation by Stillmeadow Benchmark Associates, Inc. found greater than 90% of the Apprentices improved reading and math grades. Over 90% of parents observed their sons to be more confident and better decision-makers. As the boys age through the programs they participate in workshops preparing them to become mentors who can then assist the younger members. They not only benefit from the opportunities of the program, but turn right around to help other boys learn, grow, and see positive male role models in their lives.
For more than two decades, the overarching objective of all of LPTM’s programming has been to foster the creative, academic, social-emotional, physical and citizenship development of the young men and boys engaged in LPTM. The result is documented evidence of improvements in mental health, academic performance, self-awareness, positive male relationships, and civic & social ability – which in turn help our boys and young men to believe in their ability to positively impact their own lives, their community and ultimately the world they live in.
Contacts
Seneca Wells (Artistic Director)
swells@lifepieces.org
Donnell Kie ( Art by LPTM Coordinator)
dkie@lifepieces.org